Design and Art Australia Online

From the series Not Post Anything, includes; paintings, posters, music, videos, animations sculptures and performance.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://www.cacsa.org.au/index.html (22/11/04); Blaze, CACSA, 1990-2002

From the series 'Not Post Anything’, includes; paintings, posters, music, videos, animations sculptures and performance.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://www.cacsa.org.au/index.html (22/11/04); Blaze, CACSA, 1990-2002

From the series 'Not Post Anything’, includes; paintings, posters, music, videos, animations sculptures and performance.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://www.cacsa.org.au/index.html (22/11/04); Blaze, CACSA, 1990-2002

Funded by Australia Council of the Arts. In the work of Andrew Petrusevics this went as far as echoing the design and graphics of constructivism and the Bahaus in the constructions of his images, be they computer-manipulated portraits of politicians or three-dimensional works. his practice has evinced an ongoing fascination with the structures and expressions of power.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report; AGNSW Library catalogue

Exhibition Catalogue:
Lawyers, guns & money: a project of the Experimental Art Foundation. Adelaide, SA: Experimental Art Foundation, 1997
ISBN 0949836338

This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners and audience, artists exhibited works-in-progress. It allowed the institution to take the risks partially denied to it through the pragmatics involved in putting on exhibitions that last for over a month.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report

Exhibition about social machinery with regard to the notion that Adelaide, a quiet cultivated city with a history of enlightened government, produces a significant amount of violent mechanistic art.
EAF Annual Report 1989

Site specific installations- each artist using the interior space of equal-size cubes
EAF Annual Report 1989

On 10 June EAF initiated a weekly series at the Centralia Hotel that continued until November 1987 and resumed after the Festival in 1988.
Night with artists, performers, critics, writers, designers, musicians and film makers premiering, and discussing aspects of their work.
EAF Annual Report 1987

Exhibition of versions of the missing Picasso 'Weeping Woman’ stolen from the National Gallery of Victoria.
Organised by Andrew Petrusevics, Louise Dauth (director), paintings submitted by local artists

Performance Night at EAF 18 July 7pm
David Watt and Steven Wigg; Andrew Petrusevics and the Busstops

Performances by Pam Harris and Michele Luke; Ania Walwicz ('Father’); Jan Hubruchsen ('5000 years of Indian Motion Picture Music’); Andrew Stock ('A Small Section of Being a Boy’); Andrew Petrusevics ('Check your Answers’).

Experimental Art Foundation exhibition at Riddoch Gallery, Mount Gambier.

Multimedia exhibition of Young SA artists, guest curator Fimo. Included works by Simon Biggs, Louise Cameron, Shaun Kirby, Andrew Petrusevics, Anna Platten, Bronwyn Platten, Debra Porch and Chris Reynolds

Including performances by Andrew Boscacci, Fay Poole, Cathy Fargher, Rachel Boyce, Julianna Pierce, Greg Clarke and Andrew Petrusevics

Riddoch Gallery, Mount Gambier, May 10-27, 1985

Experimental Art Foundation, Adelaide, July 19-31, 1985

Experimental Art Foundation exhibition at Riddoch Gallery, Mount Gambier.

Multimedia exhibition of Young SA artists, guest curator Fimo. Included works by Simon Biggs, Louise Cameron, Shaun Kirby, Andrew Petrusevics, Anna Platten, Bronwyn Platten, Debra Porch and Chris Reynolds

Including performances by Andrew Boscacci, Fay Poole, Cathy Fargher, Rachel Boyce, Julianna Pierce, Greg Clarke and Andrew Petrusevics

Riddoch Gallery, Mount Gambier, May 10-27, 1985

Experimental Art Foundation, Adelaide, July 19-31, 1985