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Funded by the Australia Council and the NSW Ministry for the Arts. Supported by the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Artspace Artistic Program 2004: http://www.artspace.org.au/index.html
Funded by the Australia Council and the NSW Ministry for the Arts. Supported by the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Artspace exhibition archive: http://www.artspace.org.au/index.html
The artist performed on trains in Sydney’s underground, then exhibited video and objects in the gallery.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
AGNSW archive index cards & OSS Survey file
Domenico de Clario with Liza Lim and with a CD of improvisations by Elision.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
State Library of QLD catalogue
Exhibition Catalogue:
The intertwining – the chasm: installation performance works 1994-96. Brisbane: Institute of Modern Art, 1998.
ISBN 1875792279
A comprehensive survey which incorporated the performance Advantage of Seven, Squash performance, at the Monash University Sports Centre.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://www.monash.edu.au/muma/exhibitions/archive/1998.html
Exhibition Catalogue:
Duncan, J. and Colless, E., Domenico DeClario:; a survey 1966-1996: The divers clothes lying empty. Melbourne: Monash University Museum of Art, 1997
28 p: full col & b&w ill; bio; bib; Edition of 500; ISBN 0 7316 1263 2
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Heide exhibition archive;
This spooky piece looked at death as part of a continual cycle rather than as an epistemological (dead) end and referenced both the death of John Cage, and a newspaper story of a child that had been caged, in the construction of a physical analogue for a machine to contact the dead. A caravan as its centre, the inside was lit with various different colours and types of lights.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
AGNSW Library catalogue
Exhibition Catalogue:
The seventh arit (elemental landscapes: 1975-1993): Domenico de Clario. [Melbourne]: National Gallery of Victoria, 1994
[14] p: ill.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Ian Potter University of Melbourne exhibition archive;
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Wollongong City Gallery annual report 1990; State Library of QLD catalogue
Exhibition Catalogue:
Domenico de Clario: machine for contacting the dead. Wollongong: Wollongong City Gallery, 1990
ISBN 187540001
Presented by Experimental Art Foundation.
19 days of performance as part of Adelaide Festival held at Carclew and other sites, including parklands, Glenelg Beach.
Local and interstate artists.
Organised by Noel Sheridan, with the assistance from Lindsay Parkhill and Dale Franks.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Stephanie Britton (ed.) A decade at the EAF: A history of the Experimental Art Foundation 1974-1984. Adelaide: The Experimental Art Foundation, 1984
Also known as 'Sculpturscape '73’