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Photographs by Vivienne Dadour in collaboration with Liz Ashburn on an archeological investigation of a site near Greta in the Hunter Valley. The site had formerly been used as both an Army camp during World War II and later as a migrant hostel.
Liz Ashburn’s exploration of the dynamics of power with images, form and text
The rich colours and intricate compositions of traditional miniature painting are an unlikely form of war documentation in the age of embedded journalism, selective briefings and non-stop cable television.
Vivienne Dadour’s shadowy artworks speak to important issues of our times. Invisible Realm honors the generations of her family who, in the late nineteenth century, settled in an area of Redfern and Waterloo, known as the ‘Syrian Quarter’.
Towers of Torture was an exhibition curated by Therese Kenyon, as a critique of Alan Bond’s connections to South American totalitarian regimes.