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This spooky piece looked at death as part of a continual cycle rather than as an epistemological (dead) end and referenced both the death of John Cage, and a newspaper story of a child that had been caged, in the construction of a physical analogue for a machine to contact the dead. A caravan as its centre, the inside was lit with various different colours and types of lights.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
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