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Part of a long-term exploration of the representation of sublime space, Stephenson created a photographic typology of the dome in European architecture from the 7th to the 19th century. The artist arranged the work according to the aesthetic relationships between the pictures in order to create an installational totality.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://www.castgallery.org/exhibition/archive.htm#exhi2000 12/12/05