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Charcoal wall drawings of gardens and slide projections of flowers in a mediation of the current taxonomical systems and in consideration of the symbolic meaning of gardens. The work spoke about not only the 'scientific’ organisation of information into sets, but of the use of 'pre-scientific’ models – the occult, the mystic, the alchemical, how these models may inform each other in poetic dialogue.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
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