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Super 8 film, colour
Shown at the 8th Sydney Super 8 Film Festival held at the Chauvel Cinema, 26 November 1987.
An experimental film work made during a Super 8 workshop led by Geoff Weary at Tin Sheds Art Workshops, University of Sydney. The main ‘techniques’ employed were in-camera slow motion and coloured cellophane ‘filters’ attached to the camera lens with rubber bands.
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Faced with the task of making a documentary about the Blind, this short documentary asks how such a visual medium, aimed at an audience with 'sight’, can perceive what it is like to be blind and avoid taking on patronising sympathetic overtones.
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The profound evidence of Nietzches Eternal Return.
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Sometimes behind the most absolute normality something snaps.
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There comes a time when a man’s just got to draw the line.
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The faith of a heart and the faith of a look …
Fingered, Manhatten love suicide, right side of my brain
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Ece I don’t exist …
An Australian girl achieves fame as a pop singer in Japan.
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Strange things happen to a gang of leather jacketed girls, a dog, a ferret and some offal.
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A girl eats diamonds, another feeds a pig its own eye, another cleans a rifle which pokes its tongue out …
A film about illness and confinement.
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Urban samurai nostalgia romance, set in the magical banality of Stanmore.
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In response to a special questionnaire the MBs produced these 'personal statements’.
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Moving closer, or moving further away, the perspective remains the same …
The life & times of a well spent youth – faded memories of people & places are limited visions of my past.
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I don’t care what anybody else is saying, I don’t care what anybody else is doing.
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A recipe for loneliness.
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