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Self explanatory.
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A monster film in more ways than you would want to believe; within the narrative’s lot of innocent humans visited by a pathetic (look) monster which are forced to hunt down and kill …
Three mice in a love-triangle.
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The film is about the pleasures and problematics of dancing in relation to rock subculture, concentrating in particular on the 6 year period from 1977 to 1982, encompassing punk, new wave pop, blitz/new romantic and electronic disco funk …
A film basically about disillusion shown through the destruction of a romantic dream.
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Film noir treatment of a child’s fear of being alone.
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Visual condensation of German short story.
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Poetic reflection on child abuse
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A man lies in bed …
This film is not about romantic and personal relationships between people …
Policing the female body – animals lacerated in pastoralist ritual, woman “voluntarily” undergoes analogue process at her own hands.
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Abstract colour field while with speckles.
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Abstract colour field.
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Name, age, place of birth, crime, with saxophone solo.
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High budget special effects combined with dime store Freud psychology give mediocre sci-fi flick.
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Drill parades in India during World War II …
Montage of the past, present and future in the nuclear debate.
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Suggestive repertoire of sexual difference delineated from head to toe …
Suspense, as such, always seems to be articulated within the textual dichotomy – the mystery of the ‘plot’ and the mystery of the plot’s writing, the text itself …
It is through a simple play, a slight alteration with the delicate relationship between sound and image in already-constructed texts that the original meanings become unhinged, thrust into a new semantic context …
Animated plasticine I the machine cavorts and negotiates labyrinths until drawn into the vortex.
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He rode along on the Newcastle stage coach …
A loosely connected series of thoughts about a small character who emerges out of tiers of heads …
A deep and fearful concern with the self.
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A drive at night.
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