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Large globs of aluminium paint resin and glossy varnish a playful and ironical parody of gestural painting resembling Pop artists and the strategy of appropriation which lends itself both to the distanced and disengaged relation to art and the so called neutrality that critique purports.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Blaze, CACSA, 1990-2002