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This installation utilised tachite ink stains, a repeated Chinese ideogram meaning dream/impermanence, and the artist’s dark painted and photocopied canvases incorporating details from 'old masters’ in a work that amplified some of the concerns constant in the artists practice, in particular, the use of the grid. The grid is both closed (framed) and open, the parallel lines stretching towards infinity.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
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