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40th anniversary of the International Women’s Year in honour of Joan Kerr.
This major survey exhibition begins with Johnson’s activities as a conceptual and performance artist in the early 1970s and co-founder of the Inhibodress artists’ collective in Sydney. In addition to performance, documentation, films, and artists’ books made in the early 1970s, this section also includes Johnson’s paintings and prints that are inspired by Punk music. The main section of Tim Johnson: painting ideas commences with paintings inspired by Johnson’s visits to Papunya in the 1980s and his subsequent collaborations with Aboriginal artists including Clifford Possum Tjapaltjarri and Michael Jagamarra Nelson, among others.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
SOFA exhibition archive; AGNSW Library catalogue
Exhibition Catalogue:
School class to playground: 1959-1992 / Leith Looby. [Canberra]: Canberra School of Art Gallery, [1992]
ISBN 1875161155
Cross media/ multi media exhibition, artists exchange. Australian participation co-ordinated through Experimental Art Foundation. 60+ Australian artists represented by bookworks, film, video, and sound.
Therese Kenyon speaker and Guest artist in ANZART Auckland of 1985 in New Zealand.
Julie Ewington co-ordinator of series of readings/ discussion session
The Women’s Show- a month of activities organised by the Women’s Art Movement: a large, national exhibition of work by women, many media, unselected, part of a larger programme of events held in many venues and including video, photography, theatre, music, literature, film and a conference organising collectives for various areas; exhibition collective included Julie Ewington, Helen James and 13 others
Experimental Art Foundation JamFactory basement exhibition August 4-28 1977
Donald Brook, Brian Medlin, David Dolan, Bob Ramsay, and others, public discussion of papers given arising from the opening of the environmental sculpture by West German artist Herbert Hajek on the Adelaide Festival Centre Plaza
1. The Social Function of Art
2. The Hajek Commission
3. Cultural Policy in SA
4. Summary of the above (held at the Space, Adelaide Festival Centre)
Collaborative exhibition between Aleks Danko and Richard Tipping, with Marr Grounds. On 7 December 1973 a night of events, rituals, readings and performances was held at Watters Gallery as part of the exhibition
A public performance arranged by Neil Evans in which the arrival of the invited audience was the work: a forerunner of the twenty-first century 'flash mob’