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Curated by Clementine Blackman and Kat Sapera, Nothing is true, everything is permitted takes it’s title from a mantra adopted by William Burroughs and Brion Gysin during their cut-up project. This group exhibition presented a space where causality and actuality are abandoned in favor of limitless possibilities of action.
Curated by Dr Dougal Phillips, “The Grip / La Mainmise” approached the work of artists from Australia and South-East Asia (alongside European peers) through a post-colonial framework that refers to metaphors of childhood, history, and power to explore the practices and concerns of artists from this region.