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[Vegascana® & Vegas Noir® : an Ecstatic Eclecticism] The Game begins as soon as you set eyes on the sign, as you park the car, enter the elevator ...
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Wollongong City Gallery Annual report
Laurens Tan used a monitor as the central focus of a piece that was essentially a non-operational poker machine, borrowed the form of a futuristic poker machine, beautifully crafted out of formed plywood to carry an animation that used the iconography of gambling and money in a sort of hallucinatory visual mantra.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report; AGNSW Library catalogue
Exhibition Catalogue:
Lawyers, guns & money: a project of the Experimental Art Foundation. Adelaide, SA: Experimental Art Foundation, 1997
ISBN 0949836338
Expanded version of an exhibition first staged by Project Contemporary Artspace, Wollongong.
Supported by the Blanche Louisa Buttner Bequest.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
QAG annual report; State Library of QLD catalogue
Exhibition Catalogue:
Laurens Tan: adapt /enforce IV. [Wollongong, NSW: Wollongong City Gallery], c1992. [4] p : ill ; 30 cm. 6p: col and b&w ill
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Wollongong City Gallery annual report; State Library of QLD catalogue
Exhibition Catalogue:
Laurens Tan: adapt /enforce IV. [Wollongong, NSW: Wollongong City Gallery], c1992
[4] p : ill ; 30 cm
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
State Library of QLD catalogue
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
State Library of QLD catalogue
Exhibition Catalogue:
Tans, Laurens, A craving for authenticity: an installation. Perth, WA: Perth Institute for Contemporary Art, Curtin University of Technology, 1990
ISBN 1863420967