Mark Kimber b. 1954

  • Artist (Photographer)
Australian photographer based in South Australia. Kimber was a finalist in both the 2006 Josephine Ulrick and Win Schubert Photography Award and the 2006 City of Perth Photo Media Award.

Citations

  • Wilson, Ashleigh (23 December 2002), “Surfing’s fringe-dwellers in focus”, The Australian, p. 12.

  • Walker, Wendy (25 March 1999), “Death and Life of Photography”, The Advertiser, p. 63.

  • Walker, Wendy (16 March 2001), “View of Erotic Subtlety”, The Advertiser, p. 44.

  • Walker, Wendy (2004), '“Six Sense”, catalogue essay’.

  • Walker, Linda Marie (December 1997-February 1998), “Relations Between Words”, Art Monthly No. 106.

  • Timms, Peter (1-2 March 2003), “Life Rehearsal”, Arts section, The Weekend Australian, p. 21.

  • Thomas, Sarah (30 September 1997), '“A Pinhole View of the Digital Era”, The Advertiser’, p. 36.

  • Spencer, Ric (11 August 2007), '“Childhood Fascinations’, exhibition catalogue essay’, Johnston Gallery, .

  • Speck, Cathy (11 June 2001), '“Strangers in the Light”, Broadsheet’, p. 17.

  • Speck, Cathy (2002), '“Twilight”, catalogue essay’.

  • Smith, Nyanda (8 February 2005), '“Op-shop artifice”, The West Australian’, p. 10.

  • Sly, David (27 November 1993), '“Digital Dimensions”, The Advertiser’, p. 27.

  • Patterson, Amy (11 June 2007), 'Sun Pictures exhibition, catalogue essay’, Stills Gallery, Sydney, NSW, .

  • North, Ian (11 August 2001), '“Gorilla, tears and toys”, Photofile’, p. 57.

  • North, Ian (2002), '“Kimber’s Icons”, catalogue essay’.

  • Nelyon, John (11 August 2004), '“Sly Allusions”, catalogue essay’.

  • Neylon, John (11 August 2004), '“Open Borders”, catalogue essay’.

  • Nelson, Robert (30 March 2002), “Images reflect on Masculinity”, The Age, p. 13.

  • Nelson, Robert (11 May 2002), 'Photofile’, p. 47-51.

  • Nelson, Robert (23 April 2003), '“Fine art of prize-giving”, The Age’, p. 11.

  • Nelson, Robert (2003), '“Night Falls”, catalogue essay’.

  • Nelson, Robert, '“Sleep, a window on age”, The Age’, 2 June 2004, Arts9, A3.

  • McFarlane, Robert (24 February 2004), '“Minimal images, maximum impact”, The Sydney Morning Herald’.

  • Maier, Heidi (13 December 2002), “Waveform”, Courier Mail.

  • Loughrey, Felicity, '“Death Becomes Her”, Black+White, The Fashion Issue’, March 2001, No. 50, p. 30.

  • Kennedy, Douglas (1929), '“Creative waves”, Gold Coast Bulletin’.

  • Kelly, Sean, '“Of pressures and privileges”, Realtime’, No. 74 August-September 2006, p.

  • Higgins, David (16 August 1994), '“Multimedia Tool for the Art Portfolio”, The Austalian’, p. 21.

  • Fuller, Helen, '“The Measured Room”, Artlink’, Vol. 18, No. 1, p. 69-70.

  • Finnane, Kieran (23 April 2003), '“Seduction veils complex questions”, Alice Springs News Vol. 10, issue 12’, p. 8.

  • Dzonsons, Justine (11 May 1993), '“Cadence”, Entropy Magazine’, p. 22.

  • Buttfield, Brett (11 September 1994), '“Bright Colour, Looks Cool”, dB Magazine’.

  • Buttfield, Brett (11 April 1997), '“Daguerre’s Flame”, dB Magazine’, p. 43.

  • Barragan, Paco, '“De camino hacia (ning) una parte”, Lapiz Magazine’, #179/180, p. 146-153.

  • Aitken, Michael (11 June 1994), '“Digital Photography”, APC Magazine’, p. 86.

  • Brennan, Anne (1991), '“Hagiography”, Hagiography catalogue essay’, Artspace, Adelaide Festival Centre, SA.

  • Broker, David (1989), '“The Inventory of Memory”, The Inventory of Memory catalogue essay’, Contemporary Art Centre of South Australia, Adelaide, SA.

  • Broker, David (1989), '“The Inventory of Memory”, The Inventory of Memory catalogue essay’, Christine Abrahams Gallery, Melbourne, VIC.

  • Moss James (1999), '“The Fields of Heaven”, Elysium, catalogue essay’, Greenaway Art Gallery, SA.

  • Moss, James (1999), '“Remembrance of Things Post”, The Measured Room, catalogue essay’, Centre for Contemporary Photography, Melbourne.

  • Moss, James (1997), '“Remembrance of Things Post”, The Measured Room, catalogue essay’, Contemporary Art Centre of South Australia, Adelaide.

  • Neylon, John (2005), '“Throwing the bomb”, By the dawn’s early light, catalogue essay’, Monash Gallery of Art, VIC.

  • Neylon, John (2005), '“Throwing the bomb”, By the dawn’s early light, catalogue essay’, Greenaway Art Gallery, SA.

  • Orchard, Ken (2001), '“Dissonant Melodies”, Dissonant Melodies, catalogue essay’, Greenaway Art Gallery, SA.

  • Reid, Chris (1994), '“Brighter than a Thousand Suns”, Brighter than a Thousand Suns, catalogue essay’, Technillusions, Adelaide Festival.

Initial data sources

  • Faculty of the Built Environment, University of NSW