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1968 was an exhibition of works from the permanent collection of the National Gallery of Australia, curated by Michael Desmond and Christine Dixon. As the curators noted, it included work from 1967 to 1969 that encapsulated the spirit of those revolutionary years both in Australia, Europe and the USA.
25 key works that represented major landmarks in the artist’s career.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
AGNSW annual report & archive index cards
Exhibition Catalogue:
Lynn, Victoria, Michael Johnson paintings 1968-1988. Sydney: AGNSW, 1989
[65] p., [3] folded leaves : col. ill. ; 30 cm;
See also: Michael Johnson Paintings 1968-1986. Melbourne: University Gallery, University of Melbourne, 1986
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Wollongong City Gallery annual report
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Ian Potter University of Melbourne exhibition archive; UTAS catalogue
Exhibition Catalogue:
Michael Johnson : paintings, 1968-1986. Parkville, [Vic.], Australia : University Gallery, University of Melbourne, 1986.
ISBN 0868397555
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Institute of Modern Art exhibition archive
Curated by Terry Smith and Donald Brook, The Situation Now: Object and Post Object Art, was a survey exhibition of conceptual and experimental works in Australia, sponsored by the Contemporary Art Society (CAS) held at Central Street. David Aspden’s work listed in the catalogue was replaced by a work by James Doolin in the exhibition itself.
First exhibition in Central Street’s new downstairs gallery space.
'This exhibition is designed primarily to expose a range of work by gallery painters at the time of the visit to Sydney of Clement Greenberg’ – Elizabeth McGillick, 15 May 1968. Co-incided with a similar exhibition held at the University of Sydney Staff Club.