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Part of Gold Card2 series, two 'minimal’ paintings each a different tone of grey, subtly patterned with a grid or stripes, were placed facing each other. The third, in a pale cream floated in between
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report
Part of the Gold Card2 series paintings on paper resonated, assembled from paper strips cut from paintings marked with the horizontal traces of Wolff’s fingers dragged through the paint, these works (each 'without scale’ in a sense) offered an enveloping sensory experience.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report
Part of the Gold Card 2 series, a psychotic room was deceptively calm, as if in dream, you might walk across a blue-grey carpet and sink into it, approach a desk whose handles have been sliced off and the drawers are shut. On the desk are a pile of blue books and in an attempt to open them you turn them over and over – they are bound on both sides.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report
A series of lightboxes with illuminated layered imagery and icons of a strange digital world linked two modules: the 'FuzzyLove Dating Database’, a friendly white 'workstation’ took your photo and asked a range of questions in order to create a profile and add it to the database etc.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
1996 CACSA annual report
Exhibition Catalogue:
Brand new II: Misha Borowski, Raafat Ishak, Michael Newall. Parkside, South Australia: Contemporary Art Centre of South Australia, 1997
1 folded sheet (6 columns) : Ill. ; 27cm.