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NSW Ministry for the Arts; MCA Ambassadors; Telstra; Wattyl; Australia Council. A level 4 solo project.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
MCA archive printout; Kent, Rachel, Call of the wild: Patricia Piccinini. Sydney: Museum of Contemporary Art, 2002
Exhibition Catalogue:
Kent, Rachel, Call of the wild: Patricia Piccinini. Sydney: Museum of Contemporary Art, 2002
ISBN 1 875 632 78 6
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
AGNSW Library catalogue
Exhibition Catalogue:
Patricia Piccinini: we are family. Strawberry Hills, NSW: Australia Council, 2003.
ISBN 0920784039
See also: Dreams and conflicts: the dictatorship of the viewer: La Biennale di Venezia : 50th international art exhibition. Venezia: Marsillo: La Biennale di Venezia, 2001
ISBN 8831782363
Sandman is the inaugural contemporary artist project exhibition at the Ian Potter Centre.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://apps.ngv.vic.gov.au/whatson/whatson_exhibitions.jsp; AGNSW Library catalogue
Exhibition Catalogue:
Sandman / Patricia Piccinini. Melbourne: Council of Trustees, National Gallery of Victoria, c2002; 14 p : col ill ; 21 cm
This exhibition brings together three works by renowned Melbourne artist Patricia Piccinini, to focus on her approach to genetic engineering. The grouping is inspired by a major new acquisition to the Monash University Collection.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
MUMA archive printout; http://www.monash.edu.au/muma/exhibitions/archive/2002.html (10/07/03)
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
AGNSW annual report; AGNSW Library catalogue
Exhibition Catalogue:
Millner, Jacqueline, Patricia Piccinini and Christopher Langton: plastic life. Sydney: Art Gallery of New South Wales, 2000
1 folded sheet (6p) : col ill ; 30 cm
Funded by Australia Council of the Arts. Patricia Picinnini used nine monitors in a horse shoe shape, which carried the sound and image of a computer-generated mouse scrabbling around a constraining environment or maze. These monitors accompanied a series of large format ciba-chromes of beautiful female models surrounded by, in proximity to, mice, with human ears growing out of their flanks in a work that looked at new developments in genetic and tissue technology.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report; AGNSW Library catalogue
Exhibition Catalogue:
Lawyers, guns & money: a project of the Experimental Art Foundation. Adelaide, SA: Experimental Art Foundation, 1997
ISBN 0949836338
aliens …
On tour from Contemporary Art Centre of South Australia. The artist’s oxymoronic LUMP, with its grotesque cuteness, and the advertising lingo that accompanies the images is a form of social critique and commentary on image orientated culture.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Institute of Modern Art exhibition archive
Toured to Institute of Modern Art, Brisbane. Work exploring the relationship between contemporary consciousness and the visual rhetoric of advertising.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Blaze, CACSA, 1990-2002