Paula Dawson b. 1954

Also known as Paula Heatley Dawson
  • Artist (Painter),
  • Artist (Photographer),
  • Artist (Draughtsman),
  • Artist (Sculptor),
  • Artist (Video Artist),
  • Artist (Performance Artist),
  • Artist ,
  • Artist (Installation Artist)
Paula Dawson has pioneered the development of art-holography in Australia.

Citations

  • Herbison, D. (March 1982), 'Space-Light’, Graphics Technology, .

  • Goldfinch, M. (February 1982), 'Holography revealed: the techniques behind Australia’s First exhibition of the latest photographic science’, Australian Photographer, .

  • Johnston, S.F. (2006), 'Holographic Visions: a History of New Science’.

  • Cheng, Yu Wei & George, P. (2004), 'Art & Media’.

  • Ivanova, A. & Cavallaro, A. (2004), 'Unnatural Selection’.

  • Conrad, P. (2003), 'At Home in Australia’.

  • Jung, D. (2003), 'Holographic Network’.

  • Aland, J. & Darby, P. (1997), 'Australian Artlook’.

  • Coyle, R. & Hayward, P. (1995), 'Apparition: Holographic Art in Australia’.

  • Popper, F. (1993), 'Art of the Electronic Age’.

  • Hayward, P. (1990), 'Technology and Creativity in the Late Twentieth Century’.

  • Wertheim, M. (1986), 'Beyond 2000: a Window into the Future’.

  • Morris, B. (1986), 'Images, Illusion & Reality’.

  • Ritscher, E. et al (1983), 'Light Dimensions: the Exhibition of the Evolution of Holography’.

  • Zunde, R. (1982), 'Photography: an Approach for Secondary Schools’.

  • Walton, P. (1982), 'Space-Light: Holography and Laser Spectacular’.

  • The new McCulloch’s encyclopedia of Australian art
    by Alan McCulloch (Author), Susan McCulloch (Author), Emily McCulloch

    https://www.worldcat.org/title/80568976

  • Hillstrom, L.C. & K. (1999), 'Contemporary Women Artists’.

  • D.W. Thorpe in association with National Association for the Visual Arts (Australia) (1995), 'Who’s Who of Australian Visual Artists’, Thorpe, D. W. (Publisher), Melbourne, Vic, Australia, (Artists – Australia – Biography – Dictionaries. | Artists – Australia – Directories. | Artists – Australia – Indexes. | Handicraft – Australia – Directories.).

    http://nla.gov.au/nla.cat-vn762974

  • 'Publications and personal communication with the artist’.

  • Scarlett, K. (1980), 'Australian Sculptors’.

  • Germaine, M. (1990), 'Artists & Galleries in Australia’, Reprinted 1991, 1997.

  • Pepper, A. (ed) (1992), 'Creative Holography Index’.

  • Edgar, P. (1999), 'Janet Holmes a Court’.

  • (2000), 'Sauers Allgemeine Kuenstler-Lexikon’, vol.24.

  • Biggs, S. (1984), 'An interview with Paula Dawson’, Artlink, IV.

  • Biggs, S. (1985), 'The situation now’, Artlink v.2.

  • Alexander, K. (1986), 'Paula Dawson’, Holosphere, 14/2.

  • Greco, A. (1 September 1986), 'How Paula throws light on her art’, Melbourne, Vic. : The Herald Magazine.

  • (1987), 'The Science show holography: phantom memory’, Craft Australia 3.

  • Murray, K. (1989), 'Eidola Suite’, Art Gallery of New South Wales, Perspecta 1989 catalogue.

  • Sabine, P. (1987), 'Memory Theatre 1: a new work by Paula Dawson’, Artlink VII/3.

  • Dawson, P. (1988), 'A holographic Memory Theatre’, International Symposium on Display Holography, Lake Forest, Illinois, USA.

  • Rallison, R. (1989), 'Artists against great odds’, Leonardo, 22.

  • Barbier, C. & Tribillon, G. (1989), 'Holography and art in a research laboratory: a retrospective’, Leonardo, 22.

  • (1990), 'My work in review’, International Congress on art in holography, South Bend, Indiana, USA.

  • Scarlett, K. (1990), 'Paula Dawson: making the mundane miraculous’, Art & Australia, 27/4.

  • Dawson, P. (1991), 'You are here’, International Symposium on Display Holography, Chicago, USA.

  • Mendelssohn, J. (11 June 1991), 'The mystery of the unfinished masterpiece’, The Bulletin.

  • Coyle, R. (1992), 'Object, image, space and light: Paula Dawson’s artwork 1974 – 1990’, Leonardo, 25.

  • Dawson, P. (1992), 'Lunar illuminated outdoor hologram’, Conference of the Optical Society of America, San Jose, California.

  • Dawson, P. (1992), 'Optical transfer of master hologram with 20m of depth’, Holographics International.

  • Murray, Kevin (1995), 'Church of the Sacred Art’, Art Monthly Australia, 77.

  • Dawson, P. (1996), 'Exploring the threshold of perception and reverie for a display hologram’, SPIE, San Jose, California, USA.

  • Burgmer, B. (1996), 'Interferenzen’, Zeitscrift der Deutsche Gesellschaft fuer Holographie, e.V, 7/8.

  • Dawson, P. (1997), 'Holograms and their subjects’, Craft Objects & Writing.

  • Pattenden, R. (1998), 'A darkness with no shadow: the holographic commission of Paula Dawson’, Bulletin of the Institute for Theology & the Arts, 32.

  • Gellatly, K. (1999), 'An interview with Paula Dawson’, Artonview, Autumn.

  • (2001), 'Princess Leia lives’, COFA Newsletter 2.

  • Dawson, P. (2003), 'Shadowy Figures: chiaroscuro of early Italian art Transposed to a hogel-vector hologram’, SPIE Proceedings, 14/1.

  • Coyle, R. (2004), 'Review of 'Light from Shadow’', Convergence: the International Review of Research into New-Media Technologies. 10/3.

  • Bowker, S. (2005), 'Reflections on a hologram’, Portrait 15: Magazine of the National Portrait Gallery, Canberra, ACT.

  • Dawson, P. (2004), 'Composing mosaic holograms’, SPIE Practical Holography XVIII: Materials & Applications, San Jose, California, USA.

  • Elsam, J., Osborne, N. & Rosenzweig, T. (2006), 'Laser longevity benefits holography display at Questacon’, Australian Physics, 43/4, July/August.

  • Dawson, P. (2006), 'Bronze Rainbow Hologram Mirrors’, SPIE 6136, Practical Holography XX, Materials & Applications, San Jose, California, USA.

  • Dawson, P. (2008), 'Luminous Presence’, SPIE 6912, Practical Holography XXII, Materials & Applications, San Jose, California, USA.

  • Gage, John (2008), 'Metamorphoses of light’, COFA Magazine.

See also

  • ''Self-Portraits: Sixteen Australian Artists take a good look at Themselves', Meanjin, 64/1-2, 2005'.
  • 'Paula Dawson, 'All Days Are Night' (film), 2000'.
  • 'K. Gollings, 'Australians', 1999'.
  • ''The Possibility of Portraiture', National Portrait Gallery, Canberra, ACT, 1999, p.22'.
  • 'The Age, Good Weekend, 1995-12-16, p.23'.
  • 'R. Coyle & P. Hayward, 'Apparition: Holographic Art in Australia', 1995, p.85'.
  • 'Luc Courchesne, 'Interactive Video Portrait', 1994, Ian Potter Museum, Melbourne, Vic.'.
  • 'A. Pepper (ed.), 'The Creative Holography Index', 1992'.
  • 'Elle, June 1991, p.11'.
  • ''Ronnie Taylor: To Absent Friends' (film), 1990'.
  • 'Vogue Australia, April 1988, p.114'.
  • 'G. Gittoes, 'Visions in the Making' (video), 1990'.
  • 'Scott Hicks, 'Women Artists of Australia' (film), 1982'.
  • 'P. Walton, 'Space-Light', 1982, p.86'.
  • 'The Bulletin, 1986-07-08, p.100'.
  • 'B. Morris, 'Images, Illusion & Reality', 1986, p.128'.
  • 'M. Wertheim, 'Beyond 2000: a Window on the Future', 1986, p.257'.