Richard Goodwin b. 1953

  • Artist (Installation Artist),
  • Architect (Architect / Interior Architect / Landscape Architect),
  • Artist (Performance Artist),
  • Artist (Sculptor)
Contemporary artist and architect Richard Goodwin's work ranges from performance, sculpture, public sculptures, architecture and urban design. Since the late 1970s, Goodwin's art has been provoked by problems in his home city, Sydney.
This record needs moderation

Citations

  • 'Interview with artist’.

  • Allen, Christopher (ed.) with contributions by Anthony Bond and Jacques Delaruelle (1992), 'Richard Goodwin’, Oliver Freeman Editions, Quotes in biographical text were obtained from this source i.e. Comments by Sandra McGrath, Anthony Bond.

  • Goodwin, Richard (1992), 'The Artist’s Involvement in Urban Planning’, Periphery, No. 13, November Issue, pp11-15, Quote by Richard Goodwin in biographical text was obtained from this source.

  • Goodwin, Richard; McGillick, Paul; Gavin Wilson et. al (2006), 'Richard Goodwin: performance to porosity’, Craftsman House, Victoria.

  • Lahoud, Adrian (2004), 'Parasite and machine [Shellharbour Worker’s Club]’, Architecture Australia, No. 93, pp38-39.

  • McGillick, Paul (2001), 'Richard Goodwin: thesis, antithesis, synthesis’, Art & Australia, No. 38, pp568-575.

  • Mossop, Elizabeth (2001), 'City Spaces; Art and Design’, Craftsman House, Sydney.

  • Lopez, Annemarie (2008), 'Richard Goodwin: porosity, parasites and public art [Profile of artist and architect, Richard Goodwin]’, Australian Art Review, No. 16, Aug-Oct Issues, pp30-33.

  • De Lorenzo, Catherine (2005), 'Public Interrogations’, Artlink , V. 25, No. 3, pp46-49.

  • Delaruelle, Jacques (1994), 'The artist in the heart of the city – Sydney artist Richard Goodwin’s recent public art projects’, Art Monthly Australia, No.76, December Issue, pp25-26.

  • (1996), 'Artist as Collaborator’, Architectural Design, No. 9-10, pp12-15.

Initial data sources

  • Faculty of the Built Environment, University of NSW