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Robert Lindsay’s series of survey exhibitions were exhibited in a specially adapted area close
to the Gallery Society Lounge. Each exhibition concentrated on one contemporary Australian artist and aimed to present a comprehensive survey of their work.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
NGV annual report; State Library of Victoria catalogue
Exhibition Catalogue:
Tony McGillick / National Gallery of Victoria 21 October to 26 November 1978. Melbourne: National Gallery of Victoria, 1978
1 folded sheet (6p) ; Ill, 1 port ; 30 cm
Curated by Terry Smith and Donald Brook, The Situation Now: Object and Post Object Art, was a survey exhibition of conceptual and experimental works in Australia, sponsored by the Contemporary Art Society (CAS) held at Central Street. David Aspden’s work listed in the catalogue was replaced by a work by James Doolin in the exhibition itself.
First exhibition in Central Street’s new downstairs gallery space.
'This exhibition is designed primarily to expose a range of work by gallery painters at the time of the visit to Sydney of Clement Greenberg’ – Elizabeth McGillick, 15 May 1968. Co-incided with a similar exhibition held at the University of Sydney Staff Club.
The Field was the first temporary exhibition in the newly opened National Gallery of Victoria building in St Kilda Road. Its curators, John Stringer and Brian Finemore, proudly proclaimed its partisanship as it celebrated the work of a new generation of Australian abstract artists.
“It is not impartial and comprehensive. It is biassed to define one particular direction in contemporary Australian art,” they wrote.
The Field was held a year after MoMA’s Two Decades of American Painting travelled to Sydney and Melbourne, and both its content and its catalogue were significantly influenced by that exhibition. Its professional production as much as the content of the lively hard edge abstract works encouraged the perception that this was the avant garde in Australia in 1968.
In 2018, the 50th anniversary of The Field, the National Gallery of Victoria recreated the exhibition at Federation Square.