You are viewing the version of bio from Nov. 27, 2012, 10:55 a.m. (moderator approved).
Revert to this revision Go to current record

professional photographer, worked in Melbourne before 1865 when he opened a studio at Sydney in partnership with Andrew Chandler . They advertised as being from W. Davies & Co. of Melbourne, where both had presumably trained. Their studio, The London Photographic Company, was at 419 George Street, next door to Lassetter’s ironmongery store. By February 1867 Lomer was continuing alone but promising that 'the business will be conducted in the same efficient manner and under the same liberal principles as hitherto’. He had reduced the old price for cartes-de-visite to two for 5s or 15s a dozen and sold cabinet and other portrait photographs 'beautifully coloured (on the premises) in oil or water’. Lomer appears to have been his own colourist, regularly advertising as both 'artist and photographer’ (which this normally signified).

In 1872-73 Lomer was working at 57 Bourke Street, Melbourne. He then established a very successful Brisbane studio at 158 Queen Street which lasted from 1874 until 1905, although he apparently no longer ran it after 1880. Branch studios were opened in various parts of the colony: the Lomer studio at Mackay in 1887 (managed by J.P. Kemp), a studio at Toowoomba (1893-96) and one at Ipswich (1898-99). Lomer was again in Sydney in 1880-95. In April 1881 Albert Lomer’s Parlour Studios at 805 George Street opposite the railway terminus,'The Really Popular (and Cheap) Photographer’, was selling cartes-de-visite for 7s 6d a dozen. He claimed that he was 'Especially esteemed for his portraits of Babies and Children’. At least two of the three photographic portraits of the painter Samuel Elyard , which Elyard himself owned (Dixson Galleries), were taken at Albert Lomer & Co.'s Sydney studios at this time, and perhaps some of the landscape photographs Elyard coloured late in life were purchased there. Numerous photographs from Lomer’s Brisbane studio also survive, mainly family portraits in carte-de-visite format.

Writers:
Staff Writer
Date written:
1992
Last updated:
2011

Difference between this version and previous

Field This Version Previous Version
References [<ExternalResource: Davies, Alan & Stanbury, Peter (1985), 'The Mechanical Eye in Australia: Photography 1841-1900', Oxford University Press, Melbourne, Vic.>, <ExternalResource: Barrie, S. (1988), 'Queenslanders behind the Camera 3', Morningside, Qld.>, <ExternalResource: Cato, J. (1955), 'The Story of the Camera in Australia', Melbourne, Vic.>, <ExternalResource: Information sourced from Neville, Richard.>]