Mr Andrew Hill b. 1952

  • Artist (Painter),
  • Artist (Printmaker),
  • Designer (Theatre / Film Designer),
  • Designer (Graphic Designer)
An Adelaide-born painter and printmaker whose exhibitions such as ‘Land of Promises’, ‘All Our Working Lives’, ‘We Helped Build Australia’, ‘A Bitter Song’, ‘Shoulder to Shoulder’ and ‘Ripping Up the Tracks’ have been identified as benchmarks for both community cultural development and for the development of multicultural arts within Australia. Hill’s work has also included theatre design, exhibition curation and arts writing.
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Related events
  • All Our Working Lives (exhibited at)
  • Andrew Hill (exhibited at)
  • Right Here Right Now - Australia 1988 (exhibited at)
  • Australian Art Collections in the Australian National Gallery (exhibited at)
  • Some Recent South Australian Art, Flinders University Art Museum, Adelaide (exhibited at)
  • Ripping Up the Tracks, Tandanya, Adelaide, 1993 (exhibited at)
  • The Streets as Art Galleries - Walls Sometimes Speak. Poster Art in Australia National Gallery of Australia, Canberra. (1993-1994) (exhibited at)
  • Power to the People. Truth Rules OK? Revisited Flinders University Art Museum (exhibited at)
  • Shoulder to Shoulder Adelaide University Union Gallery, 1990 (exhibited at)
  • Out of light Australian National University Gallery, Canberra, 2012 (exhibited at)
  • All Our Working Lives (exhibited at)
  • Andrew Hill (exhibited at)
  • Right Here Right Now - Australia 1988 (exhibited at)
  • Australian Art Collections in the Australian National Gallery (exhibited at)
  • Some Recent South Australian Art, Flinders University Art Museum, Adelaide (exhibited at)
  • Ripping Up the Tracks, Tandanya, Adelaide, 1993 (exhibited at)
  • The Streets as Art Galleries - Walls Sometimes Speak. Poster Art in Australia National Gallery of Australia, Canberra. (1993-1994) (exhibited at)
  • Power to the People. Truth Rules OK? Revisited Flinders University Art Museum (exhibited at)
  • Shoulder to Shoulder Adelaide University Union Gallery, 1990 (exhibited at)