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From the series Not Post Anything, includes; paintings, posters, music, videos, animations sculptures and performance.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://www.cacsa.org.au/index.html (22/11/04); Blaze, CACSA, 1990-2002
From the series 'Not Post Anything’, includes; paintings, posters, music, videos, animations sculptures and performance.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://www.cacsa.org.au/index.html (22/11/04); Blaze, CACSA, 1990-2002
From the series 'Not Post Anything’, includes; paintings, posters, music, videos, animations sculptures and performance.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://www.cacsa.org.au/index.html (22/11/04); Blaze, CACSA, 1990-2002
Funded by Australia Council of the Arts. In the work of Andrew Petrusevics this went as far as echoing the design and graphics of constructivism and the Bahaus in the constructions of his images, be they computer-manipulated portraits of politicians or three-dimensional works. his practice has evinced an ongoing fascination with the structures and expressions of power.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report; AGNSW Library catalogue
Exhibition Catalogue:
Lawyers, guns & money: a project of the Experimental Art Foundation. Adelaide, SA: Experimental Art Foundation, 1997
ISBN 0949836338
This exhibition is part of a season of turn-around exhibitions (about 10 days) called Short Sharp Shock, making strong pro-active links with a new practitioners and audience, artists exhibited works-in-progress. It allowed the institution to take the risks partially denied to it through the pragmatics involved in putting on exhibitions that last for over a month.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report
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