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“Group Exchange” questioned what collaboration could mean for the 22 artists selected for this national touring exhibition. Curated by Cecilia Heffer, and first exhibited at Tamworth Regional Art Gallery in 2014 (14 August– 18 OCTOBER 2014), the exhibition then toured to other venues within Australia over the following two years.
The 62nd Blake Prize. Exhibited at University of NSW Galleries, Paddington, Sydney. 18 October – 16 November, 2013.
Outdoor sculpture exhibition shown along the coastline between Bondi and Tamarama.
Woollahra Council Chambers
536 New South Head Road, Double Bay, NSW
A competitive exhibition of sculpture less than 80cm in dimension. 43 artists
10th – 25th October 2015
Woollahra Council Chambers
536 New South Head Road, Double Bay, NSW
A competitive exhibition of sculpture less than 80cm in dimension.
Me, the Road and I, (narratives of refugee passage and identity) curated by Virginia Settre, exhibited at Wollongong Art Gallery.
1 June to 1 September 2013.
short film about the exhibition, filmed by Ashley Frost
THE IMPROBABLE OBJECT
Anita Larkin -sculpture
23rd May – 16th June 2012
DEFIANCE GALLERY
47 Enmore Rd
Newtown,Sydney
LEAPING CHAIR
Anita Larkin – sculpture
Wollongong Art Gallery
30 September – 20 November 2011
Catalogue published.
Review by Gina Fairley in World Sculpture News 56. Winter 2012.
Collected objects are transformed into sculptures evoking a human narrative, revealing a strange beauty within the forgotten and discarded. The works play with the suggestion of physical movement or a practical function for the hitherto inanimate object.
Imagining life as the object, often subservient and abused, Larkin builds them anew into autonomous objects free to leap across the room, to play, to retaliate.
THE BREATH WITHIN
Sculpture and Collage by Anita Larkin
Defiance Gallery. 6 May-30th May 2015
catalogue published.
film also made by Caroline Baum and Ashley Frost:
https://vimeo.com/126853743
Larkin exhibits works that display an intentional and playful disruption of the familiar object and the everyday.
These strange and intriguing objects include objects usually associated with sports combined with objects of war. Amongst the sculptures is a truncated telephone rendered useless by insulating it with felt, a gun that becomes a sewing machine stitching a line into the wall of the gallery, the artist’s breath made visible, and a cricket ball growing a breast.
The title of this exhibition “The breath within” suggests that objects have an inner life, a breath, a potential for story and meaning.
“The breath within me” is also the title of one of the artworks in the show. The objects are cast from the hand and lips of the artists own body, with the glass having been hand-blown to the dimensions of her rib cage.
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