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Biography |
¶ What are presumed to be some of their photographs which had been sent to Adelaide were described by the _Register_ on 14 December 1864. ¶ ¶ bq). We have seen three photographs forwarded ¶ On 20 February 1865 the _Advertiser_ reported that on the first page of the _Melbourne Post_ there was ‘a view of the first camp on the Adelaide River, Northern Territory, from a photograph by Arthur Hamilton, the sketch having been drawn by Mr W. Wyatt, of the Adelaide Audit Office, although not so stated by the _Post_’. ¶ ¶ Finniss, the leader of the expedition, was ‘fated to do nothing that was right and everything that was wrong’, and it was not long before his initials B.T.F. were taken to mean ‘Bloody Tom Fool’. There were complaints abo Aborigines; problems arose with sanitation, food and discipline. Eventually an atmosphere of confusion, quarrelling and disorganisation descended upon the camp, and by the time this state of affairs had become known in Adelaide and Finniss relieved of his duties, most of the members of the expedition had decided to leave by whatever means was available. ¶ ¶ On 20 April 1865 the passenger and cargo vessel _Bengal_ arrived at Escape Cliffs. Thirty of the eighty people in the camp left on her bound for home via Singapore, and of the remaining fifty, forty had decided to leave at the first favourable opportunity. One group of men, organis _Bengal_, their intention being to sail around the coast of Western Australia until they found a ship which could take them on to Adelaide or Melbourne. Their small craft was dubbed the _Forlorn Hope_ ¶ Among the seven men who sailed in the _Forlorn Hope_ were Arthur Hamilton and Charles Hake, and among the supplies stowed away on board was their chest of photographic apparatus. The _Forlorn Hope_ left Adam Bay on 7 May 1865 and, after a voyage fraught with danger, arrived at the small, desolate settlement at Camden Harbour on 29 May, where they were received by Mr R.J. Sholl, the Government Resident. Stow, Hamilton and McMinn were accommodated in the Resident’s tent, but the four ‘men’ in the party, including Hake, apparently had to make their own arrangements. In an official dispatch dated 2 June Mr Sholl said, ‘Mr Hamilton took some photographic sketches of the camp, which are very good, taking into consideration all disadvantageous circumstances. I do not send copies because I fear that the mail-bag may become wet during the passage. Mr Hamilton will, however, I have no doubt, be willing to furnish you with copies.’ An advertisement in the _Register_ for 26 February 1866 said, ‘Card photographs of the Northern Territory and Camden Harbour, taken by Messrs Hamilton and Hake, on sale by the Adelaide Photographic Company’. ¶ ¶ After a short stay at Camden Harbour the _Forlorn Hope_ sailed on to Champion Bay ( ¶ In 1955 two views of the Escape Cliffs camp were reproduced in Jack Cato’s _The Story of the Camera in Australia_, in which he told how some of Hamilton & Hake’s photographs had been resurrected: ‘For nearly ninety years their pictures appeared to be lost. Various collectors advertised for them in newspap ¶ *This entry is a stub. You can help DAAO by submitting a biography.* Royal Victoria Historical Society discovered a considerable number of them in a private collection. They were faded and in poor condition, but he took them to George Marchant of Melbourne [son of Edwin Marchant and formerly of South Australia] who copied them with great cunning and produced a set of new negatives from which perfect prints have been made.’ Another of their photographs was reproduced in Pike and Stringer’s _Frontier Territory_<sup>1</sup>, and a description of some of their surviving photographs is given in _The Dictionary of Australian Artists_.<sup>2</sup> ¶ ¶ <sup>1</sup>Glenville Pike and Col Stringer, _Frontier Territory_, Corey Books, Darwin, 1980, p. 10. ¶ <sup>2</sup>Joan Kerr (ed.), _Dictionary of Australian artists, painters, sketchers, photographers and engravers to 1870_, Oxford University Press, ¶ Melbourne, 1992, p. 339. ¶ ¶ *Text taken from:* ¶ Noye, R.J. (2007) _Dictionary of South Australian Photography 1845-1915_, Art Gallery of South Australia, Adelaide. CD-ROM, pp. 152-53. |