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Initial data sources

  • Storylines Project, COFA, UNSW

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Date modified July 30, 2019, 2:55 p.m. Jan. 21, 2015, 4:28 p.m.
Related events
  • Half Light: Portraits from Black Australia (exhibited at)
  • Brilliance: a world of shimmer, rarrk and glitter (exhibited at)
  • Peripheral Vision (exhibited at)
  • Witness (exhibited at)
  • Man About Town (exhibited at)
  • Terra/Terror Australis (exhibited at)
  • Fever (you give me) (exhibited at)
  • In My Father's House (exhibited at)
  • In My Mother's Garden (exhibited at)
  • Abstracts: New Aboriginalities (exhibited at)
  • Strange Fruit (exhibited at)
  • The Big Deal Is Black (exhibited at)
  • Brenda Croft: in my mother's garden (exhibited at)
  • 1999 National Indigenous School in New Media Art (participated in)
  • Review (exhibited at)
  • Re-take: contemporary aboriginal & torres strait islander photography (exhibited at)
  • A Widening Gap: The Intervention, 10 Years On (exhibited at)
  • Half Light: Portraits from Black Australia (exhibited at)
  • Brilliance: a world of shimmer, rarrk and glitter (exhibited at)
  • Peripheral Vision (exhibited at)
  • Witness (exhibited at)
  • Man About Town (exhibited at)
  • Terra/Terror Australis (exhibited at)
  • Fever (you give me) (exhibited at)
  • In My Father's House (exhibited at)
  • In My Mother's Garden (exhibited at)
  • Abstracts: New Aboriginalities (exhibited at)
  • Strange Fruit (exhibited at)
  • The Big Deal Is Black (exhibited at)
  • Brenda Croft: in my mother's garden (exhibited at)
  • 1999 National Indigenous School in New Media Art (participated in)
  • Review (exhibited at)
  • Re-take: contemporary aboriginal & torres strait islander photography (exhibited at)