Clinton Nain b. 1971

  • Artist (Video Artist),
  • Artist (Textile Artist / Fashion Designer),
  • Artist (Installation Artist),
  • Artist (Painter),
  • Artist (Performance Artist)
An indigenous dancer, performer and storyteller, Nain is also a painter and installation artist whose work explores the impact of European settlement on the indigenous nations of Australia. Challenging the white male dominant view of history, Nain's work takes the particular perspective of the black and the feminine.
You are viewing the version of bio from Nov. 27, 2013, 9:46 p.m. , as edited by duggim (moderator approved).
Revert to this revision Go to current record
Courtesy of: Sherman Contemporary Art Foundation
creator of
Forty Reasons
Date
Medium
acrylic and bitumen on canvas

152 × 122 cm

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
The Last Supper
Date
Medium
acrylic and bitumen on canvas

152 × 122 cm

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Little Hurdy Gurdy
Date
Medium
acrylic and bitumen on canvas

5 panels, 30 × 125 cm total

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
I am One of
Date
Medium
acrylic and bitumen on canvas

triptych, 91.5 × 276 cm overall.

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Hurdy Gurdy
Date
Medium
acrylic and bitumen on canvas

152 × 122 cm

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Hurdy Gurdy Twirl
Date
Medium
acrylic and bitumen on canvas

152 × 122 cm

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Hurdy Gurdy Heart
Date
Medium
acrylic and bitumen on canvas

152 × 122 cm

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Why She Cries
Date
Medium
acrylic, bitumen, varnish, pencil on canvas

152 × 92 cm

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Big Red
Date
 
Courtesy of: Sherman Contemporary Art Foundation
creator of
No Entry Home
Date
Medium
acrylic, bitumen on canvas

152 × 92 cm

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
The Opposite of Native Title
Date
Medium
acrylic, bitumen, house paint, ink, varnish on canvas

91 × 61 cm

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Better than Bein' Dog Food
Date
Medium
acrylic, bitumen, house paint, inkjet print, ink, varnsih on canvas

101 × 70 cm

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Poor Target
Date
Medium
bitumen, ink, inkjet print, varnish on canvas

76 × 61 cm

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Wonderland Man
Date
Medium
acrylic, bitumen, ink, varnish, cork coasters on canvas

101.5 × 76 cm

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
A Huntin' We Will Go
Date
Medium
acrylic, ink, paper, varnish on canvas

101 × 70 cm

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Small Mission Brown Heart
Date
Medium
acrylic on canvas

50.5 × 405 cm

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Big Pot-Bellied Road
Date
Medium
house paint and acrylic on canvas

153 × 122 cm; private collection.

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Don't Miss
Date
Medium
house paint and acrylic on canvas

153 × 122 cm; private collection.

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
All the King's People
Date
Medium
Bleached irish cotton

183.5 × 91.5 cm

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Last Wave
Date
Medium
bleached Indian cotton

detail

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Black Forest
Date
Medium
Bleached Indian cotton

detail

 
Courtesy of: Sherman Contemporary Art Foundation
creator of
Acid Reign
Date
Medium
Bleached Indian cotton

3 panels, each panel 66.5 × 41.5 cm.

 

Difference between this version and previous

Field This Version Previous Version
Date modified Nov. 27, 2013, 9:46 p.m. Nov. 27, 2013, 7:58 a.m.