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Born in Toowoomba in 1903, Douglas Annand was a highly accomplished graphic designer, textile designer, muralist and sculptor. Having grown up in Brisbane, where he attended night classes at Brisbane Central Technical College, Annand moved to Sydney in 1930. In Sydney, Annand became highly successful as a freelance designer; his work included the development of corporate images for such well-known Australian companies as Union Oil, Farmer’s and David Jones, as well as designs for The Home magazine and the Australian National Travel Association [see NGA 2001 exhibition catalogue]. His design for the ceiling of the Australian pavilion at the 1937 Paris Exposition, along with his role as art director for the Australian Pavilion at the 1939 New York World’s Fair, gained Annand international recognition and brought Australia to the forefront of international design.

In anticipation of the Second World War, during the late 1930s Annand became involved in a camouflage group formed by zoology Professor William Dakin in response to the severe lack of camouflage and concealment strategies specific to the Australian environment. With members including Frank Hinder, Robert Emerson-Curtis, Sydney Ure Smith , Russel Roberts and Professor Leslie Wilkinson, the group dedicated itself to exploring issues of concealment and developing new techniques for camouflage in Australia, independent of any Government support. At the outbreak of war, the group became the foundation of the Camouflage Committee, which was formed by the Ministry of Home Security. Annand’s background in design, together with his strong interest in nature made him the perfect candidate for the role of a camouflage artist, and from 1941-1944 he was employed by the Royal Australian Air Force as a camouflage officer. During his years of service, Annand produced a large body of works documenting aerial surveillance of coastlines and islands off the Queensland coast. Through his attention to detail and understanding of colour and landscapes Annand provided a significant contribution to Australian camouflage research.

Following the war, Annand went back to his work as a freelance designer, whilst simultaneously expanding his range of skills and knowledge in a variety of new media. He produced textile designs, sculptures, murals, mixed media designs, and later became interested in architectural design and glass structures. Throughout his life, Annand illustrated a perpetual passion for all aspects of art and design, and this did not go unnoticed. Prior to his death in 1976 Annand won the Sulman prize three times, and his posters received prizes in Adelaide and Milan. The Australian War Memorial holds 72 of the studies and watercolours he completed during his work as a camouflage artist.

Assistant Curator, Australian War Memorial

Writers:
Dimcevska, Vicky Note: Assistant Curator, Australian War Memorial, Canberra, ACT
Date written:
2008
Last updated:
2012

Difference between this version and previous

Field This Version Previous Version
Sources
  • Powerhouse Museum
Date modified April 18, 2012, 12:31 p.m. Oct. 19, 2011, 1:46 p.m.
Roles
  • Artist (Sculptor)
  • Artist (Textile Artist / Fashion Designer)
  • Artist (Printmaker)
  • Artist (Industrial / Product Designer)
  • Artist (Painter)
  • Designer
  • Artist (Sculptor)
  • Artist (Textile Artist / Fashion Designer)
  • Artist (Printmaker)
  • Artist (Industrial / Product Designer)
  • Artist (Painter)
Other occupations
  • Camouflage officer
  • Camouflage officer
References [<ExternalResource: (2004), 'The New McCulloch's Encyclopaedia of Australian Art', Aus Art Editions & The Miegunyah Press (3rd edition 1994), p212, (reprint).>, <ExternalResource: Powerhouse Museum, '94/155/17 Drawing, for 'Grass Tree' scarf, paper/ink, designed by Douglas Annand, made by Firsthand Australia, Sydney, 1969-1972', Powerhouse Museum, Sydney, NSW.>, <ExternalResource: Powerhouse Museum, '94/155/18 Drawing, for 'Opera House' scarf, paper/ink, d.Douglas Annand, m.Firsthand Australia, Sydney, 1969-1972', Powerhouse Museum, Sydney, NSW.>, <ExternalResource: Powerhouse Museum, '94/155/19 Drawing, for 'Island' scarf, paper/ink, d.Douglas Annand, m.Firsthand Australia, Sydney, 1969-1972', Powerhouse Museum, Sydney, NSW.>] [<ExternalResource: (2004), 'The New McCulloch's Encyclopaedia of Australian Art', Aus Art Editions & The Miegunyah Press (3rd edition 1994), p212, (reprint).>]
Related people
  • Hinder, Frank (associate of)
  • Smith, Sydney Ure (associate of)
  • Dakin, William (associate of)
  • Emerson-Curtis, Robert (associate of)
  • Roberts, Russel (associate of)
  • Wilkinson, Leslie (associate of)
  • Baldwinson, Arthur N. (associate of)
  • McLay, Roger (associate of)
  • Hinder, Frank (associate of)
  • Smith, Sydney Ure (associate of)
  • Dakin, William (associate of)
  • Emerson-Curtis, Robert (associate of)
  • Roberts, Russel (associate of)
  • Wilkinson, Leslie (associate of)
Related person groups
  • Australian National Travel Association (associate of)
  • Camouflage Committee (associate of)
  • Australian National Travel Association (associate of)
  • Camouflage Committee (associate of)
Related works
  • 94/155/17 Drawing, for 'Grass Tree' scarf, paper/ink, designed by Douglas Annand, made by Firsthand Australia, Sydney, 1969-1972 (creator of)
  • 94/155/18 Drawing, for 'Opera House' scarf, paper/ink, d.Douglas Annand, m.Firsthand Australia, Sydney, 1969-1972 (creator of)
  • 94/155/19 Drawing, for 'Island' scarf, paper/ink, d.Douglas Annand, m.Firsthand Australia, Sydney, 1969-1972 (creator of)
  • Australia (creator of)
  • Aircraft targets, Thursday Island (creator of)
  • Flying boat base at Horn Island, Torres Straits (creator of)
  • Australia (creator of)
  • Aircraft targets, Thursday Island (creator of)
  • Flying boat base at Horn Island, Torres Straits (creator of)
  • "Venetian Nights", Sydney Harbour. Australia's 150th Anniversary 1938 (creator of)
Related collections
  • Australian War Memorial, Canberra, ACT (collected in)
  • National Archives of Australia, Canberra, ACT (collected in)
  • National Library of Australia, Canberra, ACT (collected in)
  • Powerhouse Museum, Sydney, NSW (collected in)
  • Australian War Memorial, Canberra, ACT (collected in)
  • National Archives of Australia, Canberra, ACT (collected in)
  • National Library of Australia, Canberra, ACT (collected in)
  • Powerhouse Museum, Sydney, NSW (collected in)
Related recognitions
  • Sulman Prize (received)
  • Sulman Prize (received)
Related events
  • Douglas Annand: The Art of Life (exhibited at)
  • Follow the Sun: Australian Travel Posters 1930s-1950s (None)
  • New York World's Fair (exhibited at)
  • Paris Exposition (exhibited at)
  • Douglas Annand: The Art of Life (exhibited at)
  • Follow the Sun: Australian Travel Posters 1930s-1950s (None)
  • New York World's Fair (exhibited at)
  • Paris Exposition (exhibited at)
Field Changes
Biography
Contributors
  • 1991
Date modified April 18, 2012, 12:31 p.m. April 10, 2011, 10:33 p.m.