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black-and-white artist, was born in
His style later became strongly influenced by that typically employed for Bulletin bushie gags. With Arthur Hoey Davis ('Steele Rudd’), he founded Steele Rudd’s Magazine in 1904, which lasted until 1907. The first issue was full of his illustrations in Bulletin bush manner, e.g. The Bush Funeral (p.12) and On a Bush Racecourse: 'The Black Gins Race. Ten starters, four ran into the scrub, three fell off./ “Yellow Liz on Black Beetle, by a neck”, said the judge’ (p.16). With Ruby Lind, Ruth Simpson and Norman Lindsay, he was one of the illustrators in Back at Our Selection, originally serialised in his magazine then published in book form in 1906. He also drew for Steele Rudd’s Annual (1917-22).
At the same time, cartoons signed 'E. Ashton Murphy’ occasionally appeared in the
In the 1920s Murphy was employed by Joseph Cornelius Marconi (aka Joe Mahoney, son of Irish immigrants) to draw cartoons and do graphic designs that made extravagant claims for his Brisbane-based Goanna Salve, 'the Australian bush ointment’, which became an Australian icon.