Marian Ellis Rowan b. 1848

Also known as Marian Ellis Rowan, Ellis Rowan
  • Artist (Draughtsman),
  • Artist (Painter)
A Melbourne born, prolific natural history painter with an international reputation. Her work was classified within the despised female 'hobby' of flower painting.
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Name
Marian Ellis Rowan
Also known as:
  • Marian Ellis Rowan
  • Ellis Rowan
Gender
Female
Roles
  • Artist (Draughtsman)
  • Artist (Painter)
Other Occupation
  • Author (ANZSIC code: 9002) -
Birth date
1848
Birth place
Melbourne, Vic.
Death date
1922
Active Period
  • 1872 - 1893
Residence
  • 1848 - 1922 Melbourne, Vic.
  • 1869 England, UK
Languages
  • English
Initial Record Data Source
  • Heritage: The National Women's Art Book

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Date modified May 27, 2015, 11:29 a.m. May 27, 2015, 11:29 a.m.
Related events
  • Untitled Event (exhibited at)
  • World's Columbian Exposition (None)
  • Intercolonial Exhibition (exhibited at)
  • Eveolution: An exhibition of women's art from the Newcastle Region Art Gallery collection (exhibited at)
  • A l'hombre des jeunes filles et des fleurs: In the shadow of young girls and flowers (exhibited at)
  • Trust the Women, (exhibited at)
  • Review (exhibited at)
  • Women Artists of North Queensland (exhibited at)
  • Beyond the Picket Fence: Australian women's art in the National Library collections (exhibited at)
  • Women on Paper: from the collections: late nineteenth century to the present (exhibited at)
  • Look, Look Again (exhibited at)
  • Untitled Event (exhibited at)
  • World's Columbian Exposition (None)
  • Intercolonial Exhibition (exhibited at)
  • Eveolution: An exhibition of women's art from the Newcastle Region Art Gallery collection (exhibited at)
  • A l'hombre des jeunes filles et des fleurs: In the shadow of young girls and flowers (exhibited at)
  • Trust the Women, (exhibited at)
  • Review (exhibited at)
  • Women Artists of North Queensland (exhibited at)
  • Beyond the Picket Fence: Australian women's art in the National Library collections (exhibited at)
  • Women on Paper: from the collections: late nineteenth century to the present (exhibited at)