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Funded by Australia Council of the Arts. Patricia Picinnini used nine monitors in a horse shoe shape, which carried the sound and image of a computer-generated mouse scrabbling around a constraining environment or maze. These monitors accompanied a series of large format ciba-chromes of beautiful female models surrounded by, in proximity to, mice, with human ears growing out of their flanks in a work that looked at new developments in genetic and tissue technology.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report; AGNSW Library catalogue
Exhibition Catalogue:
Lawyers, guns & money: a project of the Experimental Art Foundation. Adelaide, SA: Experimental Art Foundation, 1997
ISBN 0949836338
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Date modified | June 18, 2015, 10:34 a.m. | March 13, 2013, 11:17 a.m. |