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Laurens Tan used a monitor as the central focus of a piece that was essentially a non-operational poker machine, borrowed the form of a futuristic poker machine, beautifully crafted out of formed plywood to carry an animation that used the iconography of gambling and money in a sort of hallucinatory visual mantra.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
EAF annual report; AGNSW Library catalogue
Exhibition Catalogue:
Lawyers, guns & money: a project of the Experimental Art Foundation. Adelaide, SA: Experimental Art Foundation, 1997
ISBN 0949836338
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Date modified | June 18, 2015, 10:34 a.m. | March 13, 2013, 11:17 a.m. |