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Allport, H. (1931), 'Early Art in Tasmania’, Hobart, Tas.
Craig, C. (1961), 'The Engravers of Van Diemen’s Land’, Launceston, Tas.
Kolenberg, H. and Kolenberg, J. (1988), 'Tasmanian Vision’, Tasmanian Museum and Art Gallery catalogue, Hobart, Tas.
(23 March 1875), Tasmanian Tribune.
Notes by Beattie, J. W. in Dixson, W., 'Notes on Australian artists’, Dixson Library, State Library of New South Wales, ms WD53.
Information sourced from Craig, Clifford.
Information sourced from Stilwell, G.T.
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Biography |
¶ Dunnett was an experienced lithographer, as the _Hobart Town Courier_ of 12 November 1858 pointed out: 'it is no disparagement to our old lithographists whose merits have been cheerfully and freely acknowledged by the colonial Press and the public patrons of their art, to congratulate them upon the accession to their ranks in the person of Mr F. Dunnett, from Days of London, who has drawn on stone a portion of Chalmers' Free Church and Manse in a manner which has never been equalled in the colony. The print is published by *R.V. Hood* [q.v.], of Fitzroy Place, from whom copies may be obtained'. (A copy of this print was known to have existed previously in a private collection but its current location is unknown.) ¶ By 1860 Dunnett was teaching drawing at Chalmers School. Throughout the decade he continued to produce watercolours and lithographs. Watercolours include _St John's Church, New Town_ and _Mount Wellington from the New Town Park_ (both c.1860, Tasmanian Museum & Art Gallery). He showed _A Head_ at the Hobart Town Art Treasures Exhibition of 1862-63. Dunnett (as lithographer) and Piguenit (as original sketcher) combined to produce a _Map of the Seat of War in New Zealand_ , advertised in November 1863 for 5s coloured, 2s 6d plain. Dunnett had engraved a New Zealand subject in 1861 - a view of Nelson College - and may already have visited the country. On 5 December 1864, _Walch's Literary Intelligencer_ announced that his two-colour lithographic _Portrait of His Excellency the Governor_ (Colonel Gore Browne), published by J. Walch & Sons, was for sale at 7s 6d (TMAG). His _Map of Hobart Town_ and some sketches of Tasmanian blue-gums were shown in the Tasmanian court at the 1866 Melbourne Intercolonial Exhibition, the latter sketch being awarded a highly commended certificate. ¶ Dunnett subsequently joined the government service in New Zealand, where he reputedly continued to produce paintings and lithographs. Early in 1874, at Port Chalmers, he married Annie Jane, youngest daughter of Edmund Hodgson of Glen House, Hobart, and they returned to Tasmania. He was advertising as a writing and drawing master for Hobart Town schools and families in March 1875, offering special classes for 'two or three youths, so as to qualify them for situations in Government Survey Departments'. ¶ Dunn was responsible for Henn & Co.'s Tasmanian calendar for 1877, bordered with holly and mistletoe on one side and waratah and colonial shrubs on the other; cupids feature among roses in the top corners and a woodcut of the firm's premises appears under the calendar. Two further lithographs have also been identified, sheet music covers for Adam Clarke compositions: _The Waratah Blossom Waltz_ and _The Garrison Parade Polka_ . Both date from the mid 1880s and were published by R.L. Hood at the Hobart Town _Mercury_ office. He exhibited in the 1881 fine art exhibition at the Hobart Town Hall and in the 1886 Melbourne Intercolonial Exhibition. According to the catalogue of the Old Hobart Exhibition of 1896, Dunnett was responsible for painting the landscape background in the well-known portrait of Rev. Robert Knopwood, the portrait of the parson being attributed to T.G. Gregson and the pony and dog to J.W. Graves junior (qq.v.) - a group effort which must have been completed over many years. Dunnett died at Hobart on 12 October 1891. |