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cartoonist and carver, was carving portraits in
“Mr Frederick Brown has on View, at the studio of Messrs Chubb and Praegar [sic], Beale’s-buildings, George-street, a wood-cameo portrait, in bas-relief, of Mr H.R. Jewett as Cassius. If it is taken from a photograph by the firm mentioned it is well executed, the likeness, enlarged to life-size, being successfully retained.”
Frederick A. Brown exhibited with the Sydney Society of Artists in 1899. He contributed cartoons to the Bulletin in 1900-1, 1907 and 1914 (and perhaps at other times), signing his work 'Fred Brown’ and 'Fred A. Brown’. Examples include: an untitled image of a fat South Sea Islander with 'RIP Parsons No.45’ tattooed on his belly, dated 1900 (original ML PX *D447, f.37); a vicious war cartoon comparing the expectation of hordes of ghastly wounded returning from South Africa with the reported reality of only five wounded, two accidentally, plus 57 fever patients, published 11 August 1900, 20; and After Years of Toil – 'A missionary’s vision of affairs in China’ (a nightmare) published 24 November 1900, 14. A Vision, published 1 June 1901 (p.14), commented on the visit of the Duke of
Brown’s special topic at the Bulletin was Hell, which he called 'Tophet’, e.g. THE OLD, OLD QUESTION. 'Premier Lyne says he doesn’t know whether he will stand for the Federal Parliament, or stick to the provincial Assembly./ [Devil] LYNEUS (to Old Scratch): “Tell me, friend, which is better – to reign in Hell or serve in Heaven?”’ 12 May 1900, 11 (signed 'Fred A Brown’); SHEOLITES [DEVILS] ON THE
Fred Brown drew cartoons for a range of labour newspapers, mostly short-lived. In 1908 he contributed cartoons and humorous illustrations to Norman Lilley’s comic paper Vumps, including illustrations to a story 'Down Another Hole’ by Henry Lawson (15 August 1908, 5). One issue only is known. He drew cartoons for the Worker in 1909, including the simple, rather ordinary His Only Book (a cook reading 'Fat’s Recipes’ for Broken Hill broth) and Back to Lagdom (a worker being flogged by Wade with a cat-o-nine tails labelled 'Industrial Disputes Bill’ egged on by capitalist coal vendor), both illustrated in Dunstan (plates 11 & 12).
For a while Brown worked with Claude Marquet on Lilley’s Magazine, published monthly by Norman Lilley from June to October 1911 and nicknamed 'the literary outpost of the Worker’ (Dunstan, 43). In 1928-30 he was chief cartoonist on