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SOLO. Also touring to Queensland Art Gallery, Art Gallery of Western Australia (2008/2009)
A Heide Museum of Modern Art Travelling Exhibition. A selection of works spanning from early in the artists’ careers, overviews exhibited side by side.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
http://www.heide.com.au/exhibitions/touring/three_colours/index.html (25/10/04)
Exhibition Catalogue:
Three colours: Gordon Bennett and Peter Robinson, Bulleen, Victoria: Heide Museum of Modern Art, [2004]
ISBN 0947104 763
SOLO. Toured to: Ikon Gallery, UK; Arnolfini, UK; Henie Onstad, Kunstsenter, Norway.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
BCAG exhibition archive; UTAS catalogue; http://www.shermangalleries.com.au/artists_exhib/artists/bennett2/bio.html (20/01/04); AGNSW Library catalogue
Exhibition Catalogue:
History and memory in the art of Gordon Bennett. Birmingham, [England]: Ikon Gallery; Oslo, Norway: Henie Onstad Kunstsenter, 1999
ISBN 0907594638
SOLO
SOLO
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
IMA exhibition archive
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
SOFA exhibition archive; National Library of Australia catalogue;
Exhibition Catalogue:
Mirror mirror: the narcissism of coloniality / Gordon Bennett; curated by Ian McLean. [Canberra]: Canberra School of Art Gallery, 1996
ISBN 0731524802
ALSO toured to the Hayward Gallery, London, UK
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Ian Potter University of Melbourne exhibition archive;
Paintings are presented as historical ethnographies of colonial domination, a deconstruction of the so-called 'historical’ representation of Aborigines. through a recontextualisation of a known Australian images from art and historical texts.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
Blaze, CACSA, 1990-2002
Since graduating from art school in 1987, Gordon Bennett has established a national reputation as a dynamic new artist. he was awarded the 1991 Moet & chandon Art Fellowship. In exploring his own aboriginality and sense of self, Bennett has created a dynamic dialogue that blends fundamental considerations of race, identity and history. Paintings in this exhibition covered the period 1987 to 1991, and included several new works acquired by the AGWA.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS
AGWA annual report; UTAS catalogue
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Date modified | June 23, 2015, 10:04 p.m. | July 4, 2014, 9:34 a.m. |
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