Herbert McClintock b. 1906

Also known as Max Ebert, Mac, McLintock
  • Designer (Graphic Designer),
  • Artist (Cartoonist / Illustrator),
  • Artist (Painter)
Mid 20th century political and surrealist painter, cartoonist, commercial artist and singer.
You are viewing the version of bio from March 18, 2019, 11:53 a.m. , as edited by Eric Riddler (moderator approved).
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Citations

  • 'Common Cause’, Sydney, NSW, a.k.a. Common Cause of the Coalminers.

  • 'Building Workers’.

  • 'The Boilermaker’.

  • 'Maritime Worker’.

  • 'The Art of Harold Herbert’.

  • Smith, B., 'Noel Counihan’.

  • Holder, Jo (February 1998), '(Interview with Mrs McClintock)’.

  • Dimmack, Max (1974), 'Noel Counihan’, Melbourne University Press, Melbourne, Vic.

  • Fox, Len (1996), 'Australians on the Left’, Southwood Press, pp.133-35 and cover ('Crib Time’), Marrickville, NSW.

  • McCulloch, Alan (1984), 'Encyclopedia of Australian Art’, Hutchinson of Australia (2nd edition), Melbourne, Vic.

  • Merewether, Charles (1984), 'Art & social commitment – an end to the city of dreams, 1931-1948’, Art Gallery of New South Wales, Sydney, NSW.

  • Smith, B. (1979), 'Place, taste and tradition – a study of Australian art since 1788’, 2nd edition revised, Oxford University Press, Melbourne.

  • Watson, Don (1978), 'Brian Fitzpatrick – A radical life’, Hale and Iremonger, Sydney, NSW.

  • (1980), 'Herbert McClintock Retrospective’, 27 Niagara Lane Galleries, Melbourne, Vic.

  • (1940), 'Dreams Inspire Australia’s Art’, September, 28, Pix, p.7, Sydney, NSW.

  • Smith, B. (2001), 'Australian painting, 1788-2000’, 4th edition, Oxford University Press, South Melbourne, Vic.

  • Sydney Morning Herald, Sydney, NSW.

  • Illustrated Tasmanian Mail, Hobart, Tas.

  • 'Strife’, Melbourne, Vic.

  • Daily News, Perth, WA.

  • 'Tribune’, Sydney, NSW.

  • 'Common Cause’, Sydney, NSW, a.k.a. Common Cause of the Coalminers.

  • (1986), 'May Day – 100 Years of Struggle’, Sydney May Day Committee, Sydney, NSW.

  • 'Overland’, Melbourne, Vic.

  • McKay, Andrew (1980), '(Review )’, Australian, September, 16.

  • Bulletin, Sydney, NSW.

  • (1952), Guardian, February, 21, Melbourne, Vic.

See also

  • 'Self-Portrait with Cranes 1943, oil on board, p.c. (very straight portrait ill. Merewether, p.155); painting called 'Me' reproduced in the Illustrated Tasmanian Mail, presumably 1930 (included in Embryos exhibition at Melbourne in July 1930).'.

Initial data sources

  • Black and white artists

Difference between this version and previous

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Date modified March 18, 2019, 11:53 a.m. April 11, 2017, 11:34 a.m.
Related events
  • Art & social commitment : an end to the city of dreams, 1931-1948 (exhibited at)
  • Retrospective (exhibited at)
  • Untitled Event (exhibited at)
  • Studio of Realist Art (exhibited at)
  • Solo show (exhibited at)
  • Solo show (exhibited at)
  • Embryos (National Gallery of Victoria School students) (exhibited at)
  • Royal Easter Show: art prize exhibitions (exhibited at)
  • Contemporary Art Society: Exhibition 1942 (exhibited at)
  • Art & social commitment : an end to the city of dreams, 1931-1948 (exhibited at)
  • Retrospective (exhibited at)
  • Untitled Event (exhibited at)
  • Studio of Realist Art (exhibited at)
  • Solo show (exhibited at)
  • Solo show (exhibited at)
  • Embryos (National Gallery of Victoria School students) (exhibited at)
  • Royal Easter Show: art prize exhibitions (exhibited at)