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Educated at Bradford School of Art, Winchester School of Art and The Slade School of Fine Art, University College London, Hilarie Mais held her first solo exhibition in 1977 at Cuningham Ward Gallery in SoHo, New York, followed by other exhibitions at Cuningham Ward and the Madeline Carter Gallery, Boston (both 1979).

During this early intensive period in her working development, when deconstructive and feminist discourses were at their dialectical apogee, Hilarie Mais’s largely constructive sculptural works became increasingly subjective and associative in character, culminating in her 1979-80 'Weapon Series’, shown at the Betty Cuningham Gallery (1981). Hilarie Mais also took part in various group exhibitions in the United States and Britain at this time.

In 1980, Hilarie Mais came to Sydney, where she was still living and working in 2006. Her first Australian works were exhibited in 1984 in the exhibition 'New Friends’ at Roslyn Oxley9 Gallery. She joined Sherman Galleries in 1994, where she has since held seven solo exhibitions.

At the time of writing, Hilarie Mais has held 24 solo exhibitions and been included in 90 group exhibitions in Australia, the United States, Asia and Europe, including the Australian Sculpture Triennials (1984, 1987), Australian Perspecta (1985), the Biennale of Sydney (1986, 1988), 'Dissonance, Frames of Reference: Aspects of Feminism and Art’ (1991) and 'Spirit and Place: Art in Australia 1861-1996’ (1996). Retrospective survey exhibitions of her works were held at the Contemporary Art Centre of South Australia (1990) and the Australian National University Drill Hall Gallery (2004).

Hilarie Mais has received numerous awards, including an Australia Council Visual Arts/Craft Board Fellowship and a Pollock-Krasner Foundation Grant. Her works are included in the collections of the National Gallery of Australia, all state galleries and numerous regional gallery collections, as well as corporate and private collections in Australia, Europe, the United Kingdom and the United States.

Writers:
Murray-Cree, Laura
Date written:
2006
Last updated:
2011

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Related events
  • The Gathering (exhibited at)
  • Divide (exhibited at)
  • Hilarie Mais: A Survey, 1974 - 2004 (exhibited at)
  • MCA Unpacked II (exhibited at)
  • Maths in the Visual World (exhibited at)
  • Untitled: Aspects of Abstraction (exhibited at)
  • Against the Grain (exhibited at)
  • Good Vibrations (exhibited at)
  • In Side: An Exhibition in Two Parts (exhibited at)
  • Sublime: 25 years of the Wesfarmers Collection of Australian Art (exhibited at)
  • Fathoming: Contemporary Australian Sculpture (exhibited at)
  • Laurence, Mais, Parr, Tillers (exhibited at)
  • Recent Acquisitions (exhibited at)
  • Weather (exhibited at)
  • Home and Away: Contemporary Australian and New Zealand Art from the Chartwell Collection (exhibited at)
  • Southern Reflections (exhibited at)
  • Material Perfection: Minimalism and its Aftermath, from the Kerry Stokes Collection (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Conversations (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Tokyo International Art Festival (exhibited at)
  • Rites for an Anxious Spring (exhibited at)
  • Spirit + Place (None)
  • Recent Acquisitions of Contemporary Australian Art (None)
  • The Loti and Victor Smorgon Gift of Contemporary Art (exhibited at)
  • Review (exhibited at)
  • Eveolution: An exhibition of women's art from the Newcastle Region Art Gallery collection (exhibited at)
  • Windows on Australia 1 (None)
  • The Blake Prize Exhibition (exhibited at)
  • Baillier Myer Collection of the 80s (exhibited at)
  • Circle, Line, Square - Aspects of Geometry (exhibited at)
  • Approaches to the Sublime: Aspects of the Esoteric in Contemporary Painting (exhibited at)
  • (Solo exhibition) (exhibited at)
  • New York Studio School Alumni Show (exhibited at)
  • Dissonance, Frames of Reference: Aspects of Feminism & Art (exhibited at)
  • Hilarie Mais Retrospective: Australian Works: 1982 - 1990 (exhibited at)
  • The Smorgon Collection of Contemporary Australian Art (exhibited at)
  • 3rd Australian Sculpture Triennial (exhibited at)
  • The 1980s (exhibited at)
  • Australian Perspecta, An Interrupted Dialogue (exhibited at)
  • Origins, Originality & Beyond, The 6th Biennale of Sydney (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Australian Perspecta (exhibited at)
  • New Friends (exhibited at)
  • Australian Sculpture Now: 2nd Australian Sculpture Triennial (exhibited at)
  • Abstract Australian Sculpture from 1970: A Continuing Tradition, 4th Biennale of Sydney Satellite Exhibition (exhibited at)
  • Recent Directions in Sculpture (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Hilarie Mais (exhibited at)
  • Hilarie Mais (exhibited at)
  • Women Artists in the Contemporary Collection of The Art Gallery of New South Wales: Hang No. 2 (exhibited at)
  • The Best Face Value for Autumn: Work from the collection (exhibited at)
  • The Gathering (exhibited at)
  • Divide (exhibited at)
  • Hilarie Mais: A Survey, 1974 - 2004 (exhibited at)
  • MCA Unpacked II (exhibited at)
  • Maths in the Visual World (exhibited at)
  • Untitled: Aspects of Abstraction (exhibited at)
  • Against the Grain (exhibited at)
  • Good Vibrations (exhibited at)
  • In Side: An Exhibition in Two Parts (exhibited at)
  • Sublime: 25 years of the Wesfarmers Collection of Australian Art (exhibited at)
  • Fathoming: Contemporary Australian Sculpture (exhibited at)
  • Laurence, Mais, Parr, Tillers (exhibited at)
  • Recent Acquisitions (exhibited at)
  • Weather (exhibited at)
  • Home and Away: Contemporary Australian and New Zealand Art from the Chartwell Collection (exhibited at)
  • Southern Reflections (exhibited at)
  • Material Perfection: Minimalism and its Aftermath, from the Kerry Stokes Collection (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Conversations (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Tokyo International Art Festival (exhibited at)
  • Rites for an Anxious Spring (exhibited at)
  • Spirit + Place (None)
  • Recent Acquisitions of Contemporary Australian Art (None)
  • The Loti and Victor Smorgon Gift of Contemporary Art (exhibited at)
  • Review (exhibited at)
  • Eveolution: An exhibition of women's art from the Newcastle Region Art Gallery collection (exhibited at)
  • Windows on Australia 1 (None)
  • The Blake Prize Exhibition (exhibited at)
  • Baillier Myer Collection of the 80s (exhibited at)
  • Circle, Line, Square - Aspects of Geometry (exhibited at)
  • Approaches to the Sublime: Aspects of the Esoteric in Contemporary Painting (exhibited at)
  • (Solo exhibition) (exhibited at)
  • New York Studio School Alumni Show (exhibited at)
  • Dissonance, Frames of Reference: Aspects of Feminism & Art (exhibited at)
  • Hilarie Mais Retrospective: Australian Works: 1982 - 1990 (exhibited at)
  • The Smorgon Collection of Contemporary Australian Art (exhibited at)
  • 3rd Australian Sculpture Triennial (exhibited at)
  • The 1980s (exhibited at)
  • Australian Perspecta, An Interrupted Dialogue (exhibited at)
  • Origins, Originality & Beyond, The 6th Biennale of Sydney (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Australian Perspecta (exhibited at)
  • New Friends (exhibited at)
  • Australian Sculpture Now: 2nd Australian Sculpture Triennial (exhibited at)
  • Abstract Australian Sculpture from 1970: A Continuing Tradition, 4th Biennale of Sydney Satellite Exhibition (exhibited at)
  • Recent Directions in Sculpture (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Hilarie Mais (exhibited at)
  • Hilarie Mais (exhibited at)
  • Women Artists in the Contemporary Collection of The Art Gallery of New South Wales: Hang No. 2 (exhibited at)