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Name
Hilarie Mais
Gender
Female
Roles
  • Artist (Sculptor)
Birth date
1952
Birth place
Leeds, UK
Active Period
  • 1977-
Arrival
  • 1980 (Sydney, NSW)
Residence
  • Sydney, NSW
  • New York, USA
  • United Kingdom
Training
  • Slade Higher Diploma, Boise Scholar, 1975 - 1977 The Slade School of Fine Art, University College London, UK
  • Bachelor of Arts (1st Hons), 1971 - 1974 Winchester School of Art, UK
  • 1970 - 1971 Bradford School of Art, England, UK
Cultural Heritage
  • English
Languages
  • English
Initial Record Data Source
  • Twenty: Sherman Galleries 1986 - 2006

Difference between this version and previous

Field This Version Previous Version
Related events
  • The Gathering (exhibited at)
  • Divide (exhibited at)
  • Hilarie Mais: A Survey, 1974 - 2004 (exhibited at)
  • MCA Unpacked II (exhibited at)
  • Maths in the Visual World (exhibited at)
  • Untitled: Aspects of Abstraction (exhibited at)
  • Against the Grain (exhibited at)
  • Good Vibrations (exhibited at)
  • In Side: An Exhibition in Two Parts (exhibited at)
  • Sublime: 25 years of the Wesfarmers Collection of Australian Art (exhibited at)
  • Fathoming: Contemporary Australian Sculpture (exhibited at)
  • Laurence, Mais, Parr, Tillers (exhibited at)
  • Recent Acquisitions (exhibited at)
  • Weather (exhibited at)
  • Home and Away: Contemporary Australian and New Zealand Art from the Chartwell Collection (exhibited at)
  • Southern Reflections (exhibited at)
  • Material Perfection: Minimalism and its Aftermath, from the Kerry Stokes Collection (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Conversations (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Tokyo International Art Festival (exhibited at)
  • Rites for an Anxious Spring (exhibited at)
  • The Loti and Victor Smorgon Gift of Contemporary Art (exhibited at)
  • The National Womens Art Exhibition (exhibited at)
  • Eveolution: An exhibition of women's art from the Newcastle Region Art Gallery collection (exhibited at)
  • The Blake Prize Exhibition (exhibited at)
  • Baillier Myer Collection of the 80s (exhibited at)
  • Circle, Line, Square - Aspects of Geometry (exhibited at)
  • Approaches to the Sublime: Aspects of the Esoteric in Contemporary Painting (exhibited at)
  • (Solo exhibition) (exhibited at)
  • New York Studio School Alumni Show (exhibited at)
  • Dissonance, Frames of Reference: Aspects of Feminism & Art (exhibited at)
  • Hilarie Mais Retrospective: Australian Works: 1982 - 1990 (exhibited at)
  • The Smorgon Collection of Contemporary Australian Art (exhibited at)
  • 3rd Australian Sculpture Triennial (exhibited at)
  • The 1980s (exhibited at)
  • Australian Perspecta, An Interrupted Dialogue (exhibited at)
  • Origins, Originality & Beyond, The 6th Biennale of Sydney (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Australian Perspecta (exhibited at)
  • New Friends (exhibited at)
  • Australian Sculpture Now: 2nd Australian Sculpture Triennial (exhibited at)
  • Abstract Australian Sculpture from 1970: A Continuing Tradition, 4th Biennale of Sydney Satellite Exhibition (exhibited at)
  • Recent Directions in Sculpture (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Spirit + Place (None)
  • Windows on Australia 1 (None)
  • Recent Acquisitions of Contemporary Australian Art (None)
  • The Gathering (exhibited at)
  • Divide (exhibited at)
  • Hilarie Mais: A Survey, 1974 - 2004 (exhibited at)
  • MCA Unpacked II (exhibited at)
  • Maths in the Visual World (exhibited at)
  • Untitled: Aspects of Abstraction (exhibited at)
  • Against the Grain (exhibited at)
  • Good Vibrations (exhibited at)
  • In Side: An Exhibition in Two Parts (exhibited at)
  • Sublime: 25 years of the Wesfarmers Collection of Australian Art (exhibited at)
  • Fathoming: Contemporary Australian Sculpture (exhibited at)
  • Laurence, Mais, Parr, Tillers (exhibited at)
  • Recent Acquisitions (exhibited at)
  • Weather (exhibited at)
  • Home and Away: Contemporary Australian and New Zealand Art from the Chartwell Collection (exhibited at)
  • Southern Reflections (exhibited at)
  • Material Perfection: Minimalism and its Aftermath, from the Kerry Stokes Collection (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Conversations (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Tokyo International Art Festival (exhibited at)
  • Rites for an Anxious Spring (exhibited at)
  • The Loti and Victor Smorgon Gift of Contemporary Art (exhibited at)
  • The National Womens Art Exhibition (exhibited at)
  • Eveolution: An exhibition of women's art from the Newcastle Region Art Gallery collection (exhibited at)
  • The Blake Prize Exhibition (exhibited at)
  • Baillier Myer Collection of the 80s (exhibited at)
  • Circle, Line, Square - Aspects of Geometry (exhibited at)
  • Approaches to the Sublime: Aspects of the Esoteric in Contemporary Painting (exhibited at)
  • (Solo exhibition) (exhibited at)
  • New York Studio School Alumni Show (exhibited at)
  • Dissonance, Frames of Reference: Aspects of Feminism & Art (exhibited at)
  • Hilarie Mais Retrospective: Australian Works: 1982 - 1990 (exhibited at)
  • The Smorgon Collection of Contemporary Australian Art (exhibited at)
  • 3rd Australian Sculpture Triennial (exhibited at)
  • The 1980s (exhibited at)
  • Australian Perspecta, An Interrupted Dialogue (exhibited at)
  • Origins, Originality & Beyond, The 6th Biennale of Sydney (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Australian Perspecta (exhibited at)
  • New Friends (exhibited at)
  • Australian Sculpture Now: 2nd Australian Sculpture Triennial (exhibited at)
  • Abstract Australian Sculpture from 1970: A Continuing Tradition, 4th Biennale of Sydney Satellite Exhibition (exhibited at)
  • Recent Directions in Sculpture (exhibited at)
  • (Solo exhibition) (exhibited at)
  • Spirit + Place (None)
  • Windows on Australia 1 (None)