Jacky Redgate b. 1955

  • Artist (Installation Artist),
  • Artist (Sculptor),
  • Artist (Photographer)
Sculptor, photographer and installation artist, Jacky Redgate has been exhibiting for over 25 years. Throughout her career she has received a number of grants and residencies including one at the Künstlerhaus Bethanien in Berlin and another at the Power Studio, Cité Internationale des Arts in Paris.
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Name
Jacky Redgate
Gender
Female
Roles
  • Artist (Installation Artist)
  • Artist (Sculptor)
  • Artist (Photographer)
Other Occupation
  • Lecturer (ANZSIC code: 8102)
Birth date
1955
Birth place
Hammersmith, London, England, UK
Active Period
  • 1976-
Arrival
  • 1967 (Arrived Adelaide, SA)
Residence
  • Sydney, NSW
  • 1996 - 1997 Paris, France
  • 1987 - 1989 Berlin, Germany
  • Wollongong, NSW
  • Adelaide, SA
  • 1955 - 1967 England, UK
Training
  • Master of Visual Arts, 1998 Sydney College of Arts, The University of Sydney
  • 12 months Overseas Fellowship Residency 1987, 1987 Künstlerhaus Bethanien, Berlin, Germany
  • Post Graduate Diploma (Visual Arts), 1984 - 1985 Sydney College of the Arts, Sydney, NSW
  • Bachelor of Arts (Fine Art), 1976 - 1980 South Australian School of Art, Adelaide, SA
Cultural Heritage
  • English
Languages
  • English
Initial Record Data Source
  • Twenty: Sherman Galleries 1986 - 2006

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Date modified July 21, 2015, 10:05 a.m. July 21, 2015, 10:04 a.m.
Related person groups
  • ARC one Gallery, Melbourne, Vic. (associate of)
  • ARC one Gallery, Melbourne, Vic. (associate of)
Related collections
  • Private collections (collected in)
  • Westin Melbourne Collection (collected in)
  • News Corporation Collection (collected in)
  • ICI Contemporary Art Collection (collected in)
  • IBM Collection (collected in)
  • Corrigan Collection, NSW (collected in)
  • Allied Queensland Coalfields Limited Collection, Brisbane, Qld (collected in)
  • University of Wollongong, Wollongong, NSW (collected in)
  • University of Technology Art Collection, Sydney, NSW (collected in)
  • Monash University, Melbourne, VIC (collected in)
  • Parliament House Art Collection, Canberra, ACT (collected in)
  • Artbank (collected in)
  • Queensland Art Gallery (collected in)
  • National Gallery of Victoria, Melbourne, VIC (collected in)
  • Art Gallery of South Australia, Adelaide, SA (collected in)
  • Art Gallery of New South Wales, Sydney, NSW, Australia (collected in)
  • National Gallery of Australia, Canberra, ACT (collected in)
  • Private collections (collected in)
  • Westin Melbourne Collection (collected in)
  • News Corporation Collection (collected in)
  • ICI Contemporary Art Collection (collected in)
  • IBM Collection (collected in)
  • Corrigan Collection, NSW (collected in)
  • Allied Queensland Coalfields Limited Collection, Brisbane, Qld (collected in)
  • University of Wollongong, Wollongong, NSW (collected in)
  • University of Technology Art Collection, Sydney, NSW (collected in)
  • Monash University, Melbourne, VIC (collected in)
  • Parliament House Art Collection, Canberra, ACT (collected in)
  • Artbank (collected in)
  • Queensland Art Gallery (collected in)
  • National Gallery of Victoria, Melbourne, VIC (collected in)
  • Art Gallery of South Australia, Adelaide, SA (collected in)
  • Art Gallery of New South Wales, Sydney, NSW, Australia (collected in)
  • National Gallery of Australia, Canberra, ACT (collected in)
Related recognitions
  • New Work [Established] Grant, Visual Arts/Craft Board, Australia Council for the Arts (received)
  • Project Funding Grant, Faculty of Creative Arts, University of Wollongong (received)
  • Vice Chancellor's Challenge Grant, University of Wollongong (received)
  • 2003 : University Research Committee, Small Grants Scheme, University of Wollongong (received)
  • Marketing Grant Scheme, National Association for the Visual Arts (received)
  • New Work Grant, Visual Arts/Craft Fund, Australia Council for the Arts (received)
  • Power Studio, Citi Internationale des Arts, Paris, Visual Arts/Craft Fund, Australia Council for the Arts and The University of Sydney (received)
  • New Work Grant, Visual Arts/Craft Fund, Australia Council for the Arts (received)
  • 1993 : Artists/Craftspeople Development, Fellowship, Visual Arts/Craft Board, Australia Council for the Arts (received)
  • Artists/Craftspeople Development, Creative Development Grant, Visual Arts/Craft Board, Australia Council for the Arts (received)
  • Artists/Craftspeople Development, Creative Development Grant, Visual Arts/Craft Board, Australia Council, (received)
  • Overseas Studio, Kunstlerhaus, Berlin, Visual Arts Board, Australia Council for the Arts (received)
  • Project Grant, Visual Arts Board, Australia Council for the Arts (received)
  • New Work [Established] Grant, Visual Arts/Craft Board, Australia Council for the Arts (received)
  • Project Funding Grant, Faculty of Creative Arts, University of Wollongong (received)
  • Vice Chancellor's Challenge Grant, University of Wollongong (received)
  • 2003 : University Research Committee, Small Grants Scheme, University of Wollongong (received)
  • Marketing Grant Scheme, National Association for the Visual Arts (received)
  • New Work Grant, Visual Arts/Craft Fund, Australia Council for the Arts (received)
  • Power Studio, Citi Internationale des Arts, Paris, Visual Arts/Craft Fund, Australia Council for the Arts and The University of Sydney (received)
  • New Work Grant, Visual Arts/Craft Fund, Australia Council for the Arts (received)
  • 1993 : Artists/Craftspeople Development, Fellowship, Visual Arts/Craft Board, Australia Council for the Arts (received)
  • Artists/Craftspeople Development, Creative Development Grant, Visual Arts/Craft Board, Australia Council for the Arts (received)
  • Artists/Craftspeople Development, Creative Development Grant, Visual Arts/Craft Board, Australia Council, (received)
  • Overseas Studio, Kunstlerhaus, Berlin, Visual Arts Board, Australia Council for the Arts (received)
  • Project Grant, Visual Arts Board, Australia Council for the Arts (received)
Field Changes
Biography
Indigenous notes