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Citations

  • Merewether, Charles (ed.) (1984), 'Art & social commitment: an end to the city of dreams, 1931-1948’, Art Gallery of New South Wales, Sydney, (4 works, 3 oils and Woman in the City 1943/44, pen and ink, chalk on paper, artist’s col.).

See also

  • ''he Fisherman'(c.1937), ill. Carroll'.
  • ''Blind Man' (1950s), pastel and coloured chalk on brown paper, ill. Niagara Galleries, Melbourne'.

Initial data sources

  • Black and white artists

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Related events
  • (solo exhibition) (exhibited at)
  • The face of Australia: the land & the people: the past & the present (exhibited at)
  • (retrospective) (exhibited at)
  • (solo exhibition) (exhibited at)
  • (show with Josl Bergner) (exhibited at)
  • (solo exhibition) (exhibited at)
  • Anti-Fascist Exhibition (exhibited at)
  • (group exhibition) (exhibited at)
  • (solo exhibition) (exhibited at)
  • Royal South Australian Society of Arts (exhibited at)
  • Art & social commitment : an end to the city of dreams, 1931-1948 (None)
  • Bluey and Curley: portraits from an era 1939-1955 (None)
  • (solo exhibition) (exhibited at)
  • The face of Australia: the land & the people: the past & the present (exhibited at)
  • (retrospective) (exhibited at)
  • (solo exhibition) (exhibited at)
  • (show with Josl Bergner) (exhibited at)
  • (solo exhibition) (exhibited at)
  • Anti-Fascist Exhibition (exhibited at)
  • (group exhibition) (exhibited at)
  • (solo exhibition) (exhibited at)
  • Royal South Australian Society of Arts (exhibited at)
  • Art & social commitment : an end to the city of dreams, 1931-1948 (None)