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Also toured to regional galleries in NSW in 1982. 26 works by Hilder. Other artists in exhibition were Norman Lindsay, Hans Heysen, Blamire Young & Sydney Long
“The Australian Landscape” was a national touring exhibition organised by the Australian Gallery Directors’ Council in 1972. The organising gallery was the Art Gallery of South Australia, and the curators were Daniel Thomas (Art Gallery of New South Wales) Ian North (Art Gallery of South Australia) and Frances McCarthy [later Lindsay] (National Gallery of Victoria). Generous funding from the Peter Stuyvesant foundation enabled the curators to travel the country together in order to make considered judgements.
The exhibition opened at the Art Gallery of South Australia on 3 March 1972, and toured to the Western Australian Art Gallery, National Gallery of Victoria, Tasmanian Museum and Art Gallery, Australian National Gallery (temporary premises), Art Gallery of New South Wales, Newcastle City Art Gallery, and the Queensland Art Gallery.
The catalogue introduction claims that the exhibition comprised of 'fifty-five of the best Australian landscapes ever executed’. It was characterised by a breadth of vision, with works from every state – including regional galleries and private collections. It is distinguished by having a greater emphasis on colonial works than previous exhibitions, and elevating the reputation of Eugene Von Guerard and John Glover.
There were only two works by women – Grace Cossington Smith and Margaret Preston– and none by any Aboriginal artist.
National touring exhibition. 70 works on show
205 listed exhibits
Artist exhibits 4 watercolours
One man show. Artist’s debut one man show. Hilder exhibited 53 works
Artist exhibits 3 works, including 'The Silent Hour’ priced at 100 guineas
Artist exhibits 11 works
Artist exhibits 11 works 'An old horse drinking’, used to illustrate catalogue cover
Artist exhibits 20 watercolours
Artist exhibits 18 watercolours
Artist exhibits 21 watercolours
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Date modified | Dec. 28, 2011, 11:25 p.m. | Dec. 28, 2011, 11:10 p.m. |
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References | [<ExternalResource: (1966), 'Jesse Jewhurst Hilder Anniversary Exhibition [catalogue]', Queensland Art Gallery, Brisbane, QLD, Hilder, Brett in 'Introduction'.>, <ExternalResource: 'Death of J.J. Hilder (obituary)', Sydney Morning Herald, Sydney, NSW, 1916-04-12, pg. 11.>, <ExternalResource: Souter, D.H. (September/October 1909), 'J.J. Hilder, water-colorist', Art & Architecture, William Brooks & Co, Sydney, NSW.>, <ExternalResource: 'Sydney Society of Artists', Lone Hand, Sydney, NSW, 1907-10-01, pp 592-593.>, <ExternalResource: Smith, Sydney Ure & Stevens, Bertram (eds) (1918), 'The Art of J.J. Hilder', Angus & Robertson, Sydney, NSW, Includes articles by Bertram Stevens, Harry Julius and Sydney Ure Smith. The introduction was written by Julian Ashton.>, <ExternalResource: Hilder, Brett (1966), 'The Heritage of J.J. Hilder', Ure Smith Pty Ltd, Sydney, NSW, Text by Brett Hilder with recollections by the artist's widow. The foreword was written by Lloyd Rees.>, <ExternalResource: Smith, Bernard (1983), 'Hilder, Jesse Jewhurst'.>, <ExternalResource: Thomas, D., North, I., & McCarthy F. (1972), 'The Australian Landscape'.>] | [<ExternalResource: (1966), 'Jesse Jewhurst Hilder Anniversary Exhibition [catalogue]', Queensland Art Gallery, Brisbane, QLD, Hilder, Brett in 'Introduction'.>, <ExternalResource: 'Death of J.J. Hilder (obituary)', Sydney Morning Herald, Sydney, NSW, 1916-04-12, pg. 11.>, <ExternalResource: Souter, D.H. (September/October 1909), 'J.J. Hilder, water-colorist', Art & Architecture, William Brooks & Co, Sydney, NSW.>, <ExternalResource: 'Sydney Society of Artists', Lone Hand, Sydney, NSW, 1907-10-01, pp 592-593.>, <ExternalResource: Smith, Sydney Ure & Stevens, Bertram (eds) (1918), 'The Art of J.J. Hilder', Angus & Robertson, Sydney, NSW, Includes articles by Bertram Stevens, Harry Julius and Sydney Ure Smith. The introduction was written by Julian Ashton.>, <ExternalResource: Hilder, Brett (1966), 'The Heritage of J.J. Hilder', Ure Smith Pty Ltd, Sydney, NSW, Text by Brett Hilder with recollections by the artist's widow. The foreword was written by Lloyd Rees.>] |
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