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Date modified | Oct. 17, 2012, 1:25 p.m. | Oct. 19, 2011, 1:02 p.m. |
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Biography |
¶ Possibly once in the collection of William Rashleigh, a volume of twelve umber monochrome watercolours (with blue and green ground colour) on paper watermarked 1804 has been attributed to Tetley (p.c. Guernsey). All show Australian Aborigines engaged in traditional pursuits: hunting, fishing, climbing trees, and so on. A similar set has one leaf watermarked 1798 (DG), while a third set stitched together to form a booklet and with no watermarked date is in the Mitchell Library (PXB 513). It used to be attributed to *G.C. Jenner* on the basis of a label inside the back cover and Jenner's signature with the date 1822 on the inside front cover, but one of the 'Jenner' drawings is inscribed in pencil on the back 'Lieut. Joseph Swabey Tetley' and, of the twelve, only one is not duplicated in the Dixson Galleries set. All are exactly duplicated in the 'Rashleigh' set, and it seems certain that Jenner was merely the owner of the booklet. The Mitchell Library has suggested that the Jenner set is the original, drawn from life at Botany Bay as stated on the inside back cover, the other two being tracings with a frame added to each picture. ¶ The drawings are not stylistically comparable with work by known artists in Sydney at the time (the closest parallel seems to be with the ' *Port Jackson Painter* '), but whether Tetley did them during his otherwise eventful six months in Sydney remains unresolved. On the basis that he was their artist it has been suggested he might have provided the original drawings from which the English illustrator John Heaviside Clark prepared _Field Sports &c. &c. of the Native Inhabitants of New South Wales_ (London, 1813) though *John Lewin* has been more convincingly suggested as their original artist. |