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The Art Gallery of New South Wales began in the 1870s as an aspect of the Academy of Art. Later it became known as the National Art Gallery of NSW. This name persisted beyond Federation in 1901. It was given its present name in 1958.
It remains the principal collecting and exhibiting body in NSW and is governed by the Art Gallery of New South Wales Act of 1980.
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Date modified | Jan. 25, 2013, 4:43 p.m. | Jan. 25, 2013, 4:42 p.m. |
References | [<ExternalResource: Black, L., J. Huggins & L. King-Smith, 1994, White Apron - Black Hands, Brisbane City Hall Gallery, Brisbane.>, <ExternalResource: King-Smith, L., 1992, Patterns of Connection: An Exhibition of Photo-Compositions with an Environmental Soundscape by Duncan King-Smith, Victorian Centre for Photography, Northcote, 4 April 4 - 3 May 1992.>, <ExternalResource: King-Smith, L. 1992, 'The Nineteenth Century Photographs in Patterns of Connection', Art Monthly Australia supplement (Aboriginal Art in the Public Eye), p. 41.>, <ExternalResource: King-Smith, L. 2006, Resonances of Difference: Creative Diplomacy in the Multidimensional and Transcultural Aesthetics of an Indigenous Photomedia Practice, PhD Exegesis, Queensland University of Technology.>] | [<ExternalResource: Black, L., J. Huggins & L. King-Smith, 1994, White Apron - Black Hands, Brisbane City Hall Gallery, Brisbane.>, <ExternalResource: King-Smith, L., 1992, Patterns of Connection: An Exhibition of Photo-Compositions with an Environmental Soundscape by Duncan King-Smith, Victorian Centre for Photography, Northcote, 4 April 4 - 3 May 1992.>, <ExternalResource: King-Smith, L. 1992, 'The Nineteenth Century Photographs in Patterns of Connection', Art Monthly Australia supplement (Aboriginal Art in the Public Eye), p. 41.>, <ExternalResource: King-Smith, L. 1992, 'The Nineteenth Century Photographs in Patterns of Connection', Art Monthly Australia supplement (Aboriginal Art in the Public Eye), p. 41.>, <ExternalResource: King-Smith, L. 2006, Resonances of Difference: Creative Diplomacy in the Multidimensional and Transcultural Aesthetics of an Indigenous Photomedia Practice, PhD Exegesis, Queensland University of Technology.>] |