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associate of
Vernon Ah Kee
1967
Artist (Installation Artist), Artist (Video Artist), Artist (Photographer), Artist (Draughtsman), Artist (Printmaker)
commissioned by
Elizabeth Ann Macgregor
Curator

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Related events
  • Lindy Lee: no up, no down, I am the 10,000 things! (exhibited at)
  • Lindy Lee and David Noonan: level 2 projects (exhibited at)
  • Zip zilch zero (exhibited at)
  • Lindy Lee and Janet Burchill: rites of delay (exhibited at)
  • Three views of emptiness: Buddhism and the art of Tim Johnson, Lindy Lee and Peter Tyndall (exhibited at)
  • Imagination and metonymy: Lindy Lee, John Nixon (exhibited at)
  • Virtue, moral order & the discretion of human gesture, 1991 (exhibited at)
  • Birth & Death: Lindy Lee (exhibited at)
  • Review (exhibited at)
  • A l'hombre des jeunes filles et des fleurs: In the shadow of young girls and flowers (exhibited at)
  • Review (exhibited at)
  • Women Artists in the Contemporary Collection of The Art Gallery of New South Wales: Hang No. 2 (exhibited at)
  • Women hold up half the sky (exhibited at)
  • The Best Face Value for Autumn: Work from the collection (exhibited at)
  • A new generation 1983-1988: The Philip Morris Arts Grant Purchases (exhibited at)
  • Chaos (exhibited at)
  • Lindy Lee: Moon in a Dew Drop (exhibited at)
  • Lindy Lee: no up, no down, I am the 10,000 things! (exhibited at)
  • Lindy Lee and David Noonan: level 2 projects (exhibited at)
  • Zip zilch zero (exhibited at)
  • Lindy Lee and Janet Burchill: rites of delay (exhibited at)
  • Three views of emptiness: Buddhism and the art of Tim Johnson, Lindy Lee and Peter Tyndall (exhibited at)
  • Imagination and metonymy: Lindy Lee, John Nixon (exhibited at)
  • Virtue, moral order & the discretion of human gesture, 1991 (exhibited at)
  • Birth & Death: Lindy Lee (exhibited at)
  • Review (exhibited at)
  • A l'hombre des jeunes filles et des fleurs: In the shadow of young girls and flowers (exhibited at)
  • Review (exhibited at)
  • Women Artists in the Contemporary Collection of The Art Gallery of New South Wales: Hang No. 2 (exhibited at)
  • Women hold up half the sky (exhibited at)
  • The Best Face Value for Autumn: Work from the collection (exhibited at)
  • A new generation 1983-1988: The Philip Morris Arts Grant Purchases (exhibited at)
  • Chaos (exhibited at)