You are viewing the version of bio from Feb. 12, 2013, 11 a.m. (moderator approved).
Revert to this revision Go to current record

cartoonist and illustrator, was living in Victoria in June 1907 when she entered the national competition for a poster to advertise the Women’s Work Exhibition, to be held in Melbourne later that year. She won second prize for her design, runner-up to Helen Atkinson . The artist was apparently connected with George Treeby (’ G. Bron’ ), the chief cartoonist on Melbourne Punch 1896-98, and presumably also with Sid Treeby who, like her, contributed to the Bulletin in the early 1900s. Both Treebys contributed to the Sydney Bulletin .

Mab Treeby had cartoons of contemporary social life published from early in the century. One about two silly women at a seance (reproduced Heritage & included in SLNSW b/w exhibition cat. 242) was drawn when she was living in North Kensington, West Melbourne. She submitted it along with another well-drawn, stylish image of two fashionably-dressed women at the races (’“Has he lost his heart to her?”/ “His head I fancy”’). The pair were marked 'paid’ in 1909 (original ML). Both are in a detailed, naturalistic style, equally suitable for the story illustrations the Bulletin ran concurrently with its cartoons.

The majority of Mab Treeby’s known Bulletin cartoons, however, were drawn in the 1920s-early 1930s after she had moved to Sydney (as did George Treeby, according to Moore). They continued to feature smart society women making vapid wisecracks, eg 'Kitty: “I’d hate it to be said that I’m marrying Tony for his money.”/ Katty: “Oh, he’ll keep it quiet”’ 1922 (ill. Vane Lindsay); The Troubles of Matrimony , published 29 January 1930; and Clearing for Action (mistress hiding the crockery before giving the maid the sack), published 18 February 1931.

Writers:
Kerr, Joan
Date written:
1995
Last updated:
1992

Difference between this version and previous