Mildred Esther Lovett b. 13 September 1880

Also known as Mildred Paterson, Mildred Lovett
  • Artist ,
  • Artist (Draughtsman),
  • Artist (Printmaker),
  • Artist (Sculptor),
  • Artist (Painter)
Painter, pastellist, lithographer, sculptor and china painter, born in Hobart Lovett succeeded Sydney Long as Julian Ashton's assistant teacher in Sydney. An influential teacher, her students included Grace Crowley, Jean Bellette and Amie Kingston.
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creator of
Reclining Nude
Date

Lithograph

 

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References [<ExternalResource: Alexander, Jim (1978), 'Mildred Lovett (1880-1955) and Her Students', Melbourne, Vic : Important Women Artists catalogue.>, <ExternalResource: Ambrus, Caroline (1984), 'The Ladies' Picture Show', Sydney, NSW.>, <ExternalResource: Ashton, Julian (1909), 'Miss Mildred Lovett , some notes on her china painting', in Art and Architecture.>, <ExternalResource: Backhouse, Sue (1988), 'Tasmanian Artists of the Twentieth Century', Hobart, Tas.>, <ExternalResource: Burke, Janine (1980), 'Australian Women Artists 1840-1940', Collingwood, Vic.>, <ExternalResource: Hall, William & Hall, Dorothy (1999), 'Australian China Painting', World of Antiques & Art, (July-December 1999), p.124.>, <ExternalResource: Holmes, Jonathan & Lada, Elizabeth (1989), 'Mildred Lovett 1880-1955: A survey', Hobart, Tas : University of Tasmania catalogue.>, <ExternalResource: Kolenberg, Hendrik & Backhouse, Sue (1986), 'Mildred Lovett', Melbourne, Vic : in Australian Dictionary of Biography, (Volume 10), [Nairn, B. and Serle, G. (eds.)].>, <ExternalResource: Scarlett, Ken (1980), 'Australian Sculptors', West Melbourne, Vic.>, <ExternalResource: de Teliga, Stan (1956), '(A Catalogue of Australian Paintings and Drawings)', Hobart, Tas : Tasmanian Art Gallery.>, <ExternalResource: Timms, Peter (1986), 'Australian Studio Pottery and China Painting', Melbourne, Vic.>, <ExternalResource: (1 May 1913), 'Miss Mildred Lovett', Sydney, NSW : in Lone Hand.>, <ExternalResource: (1 April 1910), 'The Art of the Year', Sydney, NSW : in Lone Hand, p.665 (by the magazine's art correspondents).>]