Perdita Phillips

  • Artist (Installation Artist),
  • Artist (New Media Artist),
  • Artist (Photographer)
Perdita is an Australian artist primarily interested in the environment who often refers to scientific understanding in her work
Tags: Environmental art, walking, Birds
You are viewing the version of bio from Aug. 12, 2015, 3:56 p.m. , as edited by fulleg (moderator approved).
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Name
Perdita Phillips
Gender
Female
Roles
  • Artist (Installation Artist)
  • Artist (New Media Artist)
  • Artist (Photographer)
Tags:
Environmental art
walking
Birds
Active Period
  • c.1992 -
Residence
  • - Fremantle, WA
Training
  • PhD, 2003 - 2006 Edith Cowan University, Perth, WA
Initial Record Data Source
  • The Cross Art Projects Archive
Website

Difference between this version and previous

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Related events
  • Novel Ecologies (exhibited at)
  • Photobook and Art/Text/Clearinghouse Show (curator of)
  • fast|slow|complex (exhibited at)
  • Cusp residency (exhibited at)
  • In Vetland (exhibited at)
  • feathers conversation control (exhibited at)
  • Thinking skin (a collaboration with Jane Mulcock), Animals and Society II: Considering animals (exhibited at)
  • Vade mecum (exhibited at)
  • fieldwork/fieldwalking (exhibited at)
  • Semi (exhibited at)
  • Four Tales from Natural History (exhibited at)
  • Passing Place (exhibited at)
  • Termitaria I Caution Workers Below and Termitaria II Fragmented Islands (exhibited at)
  • Pasteur. Synecdoche (exhibited at)
  • Dreaming Alternative Pasts: when the colour of salmon gum was a part of our daily lives (exhibited at)
  • The Ashness Bridge Room and Some More Experimentations (exhibited at)
  • Fieldwork, Hydraulics Lab (exhibited at)
  • Workers on Paper (exhibited at)
  • Novel Ecologies (exhibited at)
  • Photobook and Art/Text/Clearinghouse Show (curator of)
  • fast|slow|complex (exhibited at)
  • Cusp residency (exhibited at)
  • In Vetland (exhibited at)
  • feathers conversation control (exhibited at)
  • Thinking skin (a collaboration with Jane Mulcock), Animals and Society II: Considering animals (exhibited at)
  • Vade mecum (exhibited at)
  • fieldwork/fieldwalking (exhibited at)
  • Semi (exhibited at)
  • Four Tales from Natural History (exhibited at)
  • Passing Place (exhibited at)
  • Termitaria I Caution Workers Below and Termitaria II Fragmented Islands (exhibited at)
  • Pasteur. Synecdoche (exhibited at)
  • Dreaming Alternative Pasts: when the colour of salmon gum was a part of our daily lives (exhibited at)
  • The Ashness Bridge Room and Some More Experimentations (exhibited at)
  • Fieldwork, Hydraulics Lab (exhibited at)