Ralph Eberlein b. 1951

  • Artist (Ceramist),
  • Artist (Painter),
  • Artist (Performance Artist),
  • Artist (Printmaker)
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Name
Ralph Eberlein
Gender
Male
Roles
  • Artist (Ceramist)
  • Artist (Painter)
  • Artist (Performance Artist)
  • Artist (Printmaker)
Other Occupation
  • Lecturer , School of Education 1996 - 2010 Australian Catholic University, St Patrick's Campus, Melbourne
Birth date
1951
Birth place
Orbost, Victoria
Training
  • MA , - 2004 Monash University, Clayton, Melbourne, Victoria
  • Higher Diploma of Teaching (Secondary) - Arts and Crafts, - 1974 Melbourne University, Melbourne, VIC
Initial Record Data Source
  • Victorian College of the Arts, University of Melbourne

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Date modified Oct. 22, 2014, 3:51 p.m. Oct. 22, 2014, 10:13 a.m.
References [<ExternalResource: Marsh, Anne (1993), 'Body and Self: Performance Art in Australia 1969-1992'.>, <ExternalResource: Rainbird, S., Muddiman, S. (1995) Selected Australian Works: Queensland University of Technology Art Collection, Published on the occasion of the collection’s fiftieth anniversary, 1945-1995. Brisbane : Queensland University of Technology>, <ExternalResource: Fitzpatrick, K. 2002) Less is more / less is a boor. Craft Arts International, 56, 98-103.>, <ExternalResource: Sanders, C. ( 1994) Symbols of Harmony in the work of Ralph Eberlein, Ceramics Art and Perception, Issue 18, 97-98.>, <ExternalResource: Marsh, Anne (1989) Performance Art in the 1970's, Art and Australia, vol.26, issue 3 , 412-418.>] [<ExternalResource: Marsh, Anne (1993), 'Body and Self: Performance Art in Australia 1969-1992'.>, <ExternalResource: Rainbird, S., Muddiman, S. (1995) Selected Australian Works: Queensland University of Technology Art Collection, Published on the occasion of the collection’s fiftieth anniversary, 1945-1995. Brisbane : Queensland University of Technology>, <ExternalResource: Fitzpatrick, K. 2002) Less is more / less is a boor. Craft Arts International, 56, 98-103.>, <ExternalResource: Sanders, C. ( 1994) Symbols of Harmony in the work of Ralph Eberlein, Ceramics Art and Perception, Issue 18, 97-98.>]