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“The sculptural potential of clay is unlimited, and in theory functional clay wares’ aesthetic potential unlimited too, from a classic Song celadon to Arneson’s genital encrusted teapots …(c 1971). West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. Nothing could be more useless in a practical sense than a work of art, especially a painting—yet most craftwork has a passing reference at least to function.”
https://www.thefreelibrary.com/Above+and+beyond+function%3A+Ray+Hearn+explains+the+reasons+behind+his…-a0172598257, accessed 07 February 2018:)

Thesis – Saving Private Nolan. MA thesis on Sidney Nolan and Ned Kelly.

Writers:
Date written:
2021
Last updated:
2023

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Related events
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  • 'Clarke and Flood and Hearn - The Ludlow all-slug, system' (exhibited at)
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  • Ceramic Sculpture. Distelfink Gallery (exhibited at)
  • Ray Hearn ceramics and drawings (exhibited at)
  • Revamp: 50s, 60s & 70s Revisited: Celebrating FEDUNI'S Ballarat Art Schools (exhibited at)
  • Six projections in ceramics, 1980, Distelfink Gallery (exhibited at)
  • 'Clarke and Flood and Hearn - The Ludlow all-slug, system' (exhibited at)
  • Shards #4 (exhibited at)
  • Ray Hearn - 50 Years in the Studio (exhibited at)