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- 20/200 (exhibited at)
- Beat Nation (exhibited at)
- Goodnight (exhibited at)
- Cabinet of Curiosities (exhibited at)
- Transformation of the Abject into Beauty (exhibited at)
- Bahn Trang (exhibited at)
- Materiality (exhibited at)
- Intermediaries (exhibited at)
- Square Dance (exhibited at)
- Smash Hits (exhibited at)
- Echelon (exhibited at)
- Connections/Disconnections (exhibited at)
- Binessiwags in Da House (exhibited at)
- Point of Origin (exhibited at)
- Materiality and Otherness (exhibited at)
- Fundraiser (exhibited at)
- Remote Control (exhibited at)
- No. 50 (exhibited at)
- GPS (The Good Red Road) (exhibited at)
- GPS (The Good Red Road) (exhibited at)
- Safari 2010 (exhibited at)
- No. 61 (exhibited at)
- An Oeuvre both Abundant and Diverse (exhibited at)
- Scotiabank Nuit Blanche (exhibited at)
- I am JUST not that good at following directions (exhibited at)
- Alterbeast (exhibited at)
- David Harold Tribe Sculpture Prize (exhibited at)
- Alphabet for ghosts (exhibited at)
- 50/500 (exhibited at)
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- 20/200 (exhibited at)
- Beat Nation (exhibited at)
- Goodnight (exhibited at)
- Cabinet of Curiosities (exhibited at)
- Transformation of the Abject into Beauty (exhibited at)
- Bahn Trang (exhibited at)
- Materiality (exhibited at)
- Intermediaries (exhibited at)
- Square Dance (exhibited at)
- Smash Hits (exhibited at)
- Echelon (exhibited at)
- Connections/Disconnections (exhibited at)
- Binessiwags in Da House (exhibited at)
- Point of Origin (exhibited at)
- Materiality and Otherness (exhibited at)
- Fundraiser (exhibited at)
- Remote Control (exhibited at)
- No. 50 (exhibited at)
- GPS (The Good Red Road) (exhibited at)
- GPS (The Good Red Road) (exhibited at)
- Safari 2010 (exhibited at)
- No. 61 (exhibited at)
- An Oeuvre both Abundant and Diverse (exhibited at)
- Scotiabank Nuit Blanche (exhibited at)
- I am JUST not that good at following directions (exhibited at)
- Alterbeast (exhibited at)
- David Harold Tribe Sculpture Prize (exhibited at)
- Alphabet for ghosts (exhibited at)
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